"Coughing in the theater is not a respiratory ailment. It is a criticism"
About this Quote
Coughing, Lerner implies, is the audience’s politest weapon: a bodily noise that pretends to be involuntary while functioning as review copy. The line lands because it takes something mundane and flips its alibi. In a theater, where etiquette demands you sit still, stay quiet, and absorb the work, the smallest disruptions become loaded. A cough is plausible deniability with a sting. No one has to boo; no one even has to look displeased. The body does it for you.
The subtext is a little vicious, and very theatrical. Lerner is writing from inside the machinery of live performance, where creators obsess over the room’s micro-signals: the laugh that comes late, the rustle during a ballad, the sudden uptick of throat-clearing in a second act that’s losing oxygen. He’s not really talking about illness; he’s talking about attention. When the show grips you, you forget your throat, your watch, your seat. When it doesn’t, you become hyperaware of all three.
Contextually, this is a mid-century Broadway sensibility: the dramatist as both entertainer and craftsman, reliant on immediate feedback in a way film directors aren’t. Lerner’s wit also flatters the audience’s power. Critics have columns; crowds have coughs. The joke is that spectators can sabotage a performance while maintaining innocence, and the deeper jab is at theater’s fragility: a live work lives or dies on the audience’s willingness to suspend their own bodies for it.
The subtext is a little vicious, and very theatrical. Lerner is writing from inside the machinery of live performance, where creators obsess over the room’s micro-signals: the laugh that comes late, the rustle during a ballad, the sudden uptick of throat-clearing in a second act that’s losing oxygen. He’s not really talking about illness; he’s talking about attention. When the show grips you, you forget your throat, your watch, your seat. When it doesn’t, you become hyperaware of all three.
Contextually, this is a mid-century Broadway sensibility: the dramatist as both entertainer and craftsman, reliant on immediate feedback in a way film directors aren’t. Lerner’s wit also flatters the audience’s power. Critics have columns; crowds have coughs. The joke is that spectators can sabotage a performance while maintaining innocence, and the deeper jab is at theater’s fragility: a live work lives or dies on the audience’s willingness to suspend their own bodies for it.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by Alan
Add to List




