"Courtship consists in a number of quiet attentions, not so pointed as to alarm, nor so vague as not to be understood"
About this Quote
Sterne reduces romance to a calibrated art of pressure: attention delivered softly enough to preserve deniability, sharply enough to land. It’s funny because it’s true, and a little bleak because it’s strategic. Courtship, in this view, isn’t a burst of sincerity; it’s a series of micro-signals engineered to sit in that deliciously unstable space between “accident” and “confession.” The line’s rhythm does the work. “Not so pointed... nor so vague...” is a tight rhetorical corridor, a map of social risk management. Too direct and you “alarm” - not just the beloved, but the entire etiquette system that polices desire. Too ambiguous and you waste your shot, dissolving intention into politeness.
The subtext is that attraction isn’t merely felt, it’s negotiated under surveillance. Sterne writes from a culture where reputations are brittle and class manners are a language you can mispronounce. “Quiet attentions” are plausible, portable, repeatable; they are how you test the room without forcing anyone to declare a position. That’s why the sentence sounds like advice and indictment at once: it treats romance as a social technology, optimized for consent and cover simultaneously.
Context matters: Sterne’s fiction (especially Tristram Shandy) delights in the gap between what people say and what they mean, the comedy of innuendo, the tyranny of decorum. This quote captures that whole sensibility in one poised needle: desire advancing under manners, manners pretending not to notice.
The subtext is that attraction isn’t merely felt, it’s negotiated under surveillance. Sterne writes from a culture where reputations are brittle and class manners are a language you can mispronounce. “Quiet attentions” are plausible, portable, repeatable; they are how you test the room without forcing anyone to declare a position. That’s why the sentence sounds like advice and indictment at once: it treats romance as a social technology, optimized for consent and cover simultaneously.
Context matters: Sterne’s fiction (especially Tristram Shandy) delights in the gap between what people say and what they mean, the comedy of innuendo, the tyranny of decorum. This quote captures that whole sensibility in one poised needle: desire advancing under manners, manners pretending not to notice.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
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