"Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too"
About this Quote
Stewart is praising craft, but he’s also giving away the actor’s secret bargain with sci-fi: your performance lives or dies on whether the audience buys the room you’re standing in. When he stresses “believable,” he’s not talking about photorealism for its own sake. He’s talking about permission. If the ship feels coherent - its corridors, lighting, hum, and scale - then an actor can play Shakespearean stakes inside a fantastical premise without winking at it.
The sentence’s plainness is the point. Stewart isn’t mythologizing Star Trek with grand statements about hope or the future; he’s grounding its magic in an almost industrial story of iteration. “Better and better and better” reads like a rehearsal note turned into a philosophy: TV science fiction, especially in its late-80s/90s form, wasn’t built in a single leap. It was upgraded through camera moves, model work, set extensions, and later digital effects that gradually taught viewers how to inhabit the Enterprise as a place, not a backdrop.
There’s subtext, too, about respect. Stewart came in with classical theater authority, but he’s directing attention away from star power and toward the crew: the designers, effects artists, and cinematographers who made the ship a character. In a franchise where the bridge is practically a civic space, his compliment lands as a cultural argument: belief isn’t born from lore. It’s engineered, one technical improvement at a time.
The sentence’s plainness is the point. Stewart isn’t mythologizing Star Trek with grand statements about hope or the future; he’s grounding its magic in an almost industrial story of iteration. “Better and better and better” reads like a rehearsal note turned into a philosophy: TV science fiction, especially in its late-80s/90s form, wasn’t built in a single leap. It was upgraded through camera moves, model work, set extensions, and later digital effects that gradually taught viewers how to inhabit the Enterprise as a place, not a backdrop.
There’s subtext, too, about respect. Stewart came in with classical theater authority, but he’s directing attention away from star power and toward the crew: the designers, effects artists, and cinematographers who made the ship a character. In a franchise where the bridge is practically a civic space, his compliment lands as a cultural argument: belief isn’t born from lore. It’s engineered, one technical improvement at a time.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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