"Crimes of which a people is ashamed constitute its real history. The same is true of man"
About this Quote
Genet flips the patriotic scrapbook and holds up the police blotter. History, he suggests, isn’t the parade of official virtues but the inventory of what a society tries to bury: exploitation, purges, colonization, betrayal. Shame becomes an x-ray. It reveals where power was exercised, where bodies were spent, where myths were manufactured to keep the story clean.
The line works because it treats “ashamed” as a diagnostic, not a moral footnote. Pride is curated; shame leaks. Nations commission monuments to victories, not to massacres. Families tell legends, not the fights. Genet’s provocation is that the unrepeatable, the censored, the euphemized is the truest map of who benefited and who paid. Real history is what requires denial to remain governable.
Then he tightens the vise: “The same is true of man.” Not humanity in the inspirational abstract, but the individual person. Your “real” biography isn’t your LinkedIn; it’s the scene you edit out, the desire you disown, the cruelty you rationalize. Shame marks the border between the self you perform and the self you fear is accurate.
Context matters: Genet, a dramatist and lifelong outlaw-saint of French letters, built art from the stigmatized and the criminal. In his world, respectability is often just well-funded amnesia. The quote is less confession than strategy: if you want the truth about a country or a man, follow the trail of what they can’t bear to name.
The line works because it treats “ashamed” as a diagnostic, not a moral footnote. Pride is curated; shame leaks. Nations commission monuments to victories, not to massacres. Families tell legends, not the fights. Genet’s provocation is that the unrepeatable, the censored, the euphemized is the truest map of who benefited and who paid. Real history is what requires denial to remain governable.
Then he tightens the vise: “The same is true of man.” Not humanity in the inspirational abstract, but the individual person. Your “real” biography isn’t your LinkedIn; it’s the scene you edit out, the desire you disown, the cruelty you rationalize. Shame marks the border between the self you perform and the self you fear is accurate.
Context matters: Genet, a dramatist and lifelong outlaw-saint of French letters, built art from the stigmatized and the criminal. In his world, respectability is often just well-funded amnesia. The quote is less confession than strategy: if you want the truth about a country or a man, follow the trail of what they can’t bear to name.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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