"Critics! Those cut-throat bandits in the paths of fame"
About this Quote
"Critics!" lands like a spit-take, an exclamation that turns a supposedly civil occupation into a street ambush. Burns doesn’t bother with argument; he goes straight for the metaphorical throat. By calling them "cut-throat bandits", he recasts literary judgment as predation, not guidance. The line’s bite comes from its swift reversal of power: the critic, often positioned as arbiter and gatekeeper, becomes the petty criminal lurking where reputations travel.
The genius is in "in the paths of fame". Burns isn’t just complaining about bad reviews; he’s sketching a whole ecosystem. Fame is a road you have to walk in public, exposed, and critics are positioned as opportunists who don’t build the road or make the journey but profit from the traffic. It’s a sideways accusation that criticism feeds on creation - that it extracts status by cutting down someone else’s ascent. The phrasing implies cowardice, too: bandits attack from concealment, not face-to-face. That stings in an 18th-century print culture where anonymity, salons, and periodicals could make or break a writer’s standing.
As a poet who rose from humble origins into a class-conscious literary scene, Burns had reason to distrust the genteel machinery of approval. The line reads like a populist jab at cultural middlemen: the people who claim to protect standards but often police access. It’s funny, angry, and tactical - a way to preempt critique by framing it as theft before it even arrives.
The genius is in "in the paths of fame". Burns isn’t just complaining about bad reviews; he’s sketching a whole ecosystem. Fame is a road you have to walk in public, exposed, and critics are positioned as opportunists who don’t build the road or make the journey but profit from the traffic. It’s a sideways accusation that criticism feeds on creation - that it extracts status by cutting down someone else’s ascent. The phrasing implies cowardice, too: bandits attack from concealment, not face-to-face. That stings in an 18th-century print culture where anonymity, salons, and periodicals could make or break a writer’s standing.
As a poet who rose from humble origins into a class-conscious literary scene, Burns had reason to distrust the genteel machinery of approval. The line reads like a populist jab at cultural middlemen: the people who claim to protect standards but often police access. It’s funny, angry, and tactical - a way to preempt critique by framing it as theft before it even arrives.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
More Quotes by Robert
Add to List





