"Culture is not made up but something that evolves which is human"
About this Quote
A small rebuke is tucked into Hall's plainspoken line: stop treating culture like costume jewelry you can put on, take off, or invent in a boardroom. Calling culture "not made up" targets the seductive modern habit of thinking of it as branding, ideology, or a set of slogans. Hall, an anthropologist by training and a scientist by temperament, spent his career insisting that culture is closer to an ecosystem than an argument. You can cultivate it, you can damage it, but you can't simply decree it into existence.
The phrasing matters. "Evolves" smuggles in Darwinian patience: slow change, adaptation under pressure, inherited patterns that outlast any single generation. It pushes against the fantasy of clean breaks - revolutions that reset everything, corporate "culture change" initiatives that promise a new ethos by Q3. In Hall's world, the deepest cultural forces are often invisible precisely because they're normal: notions of time, space, personal distance, status, what counts as rude, what counts as honest. His broader work on proxemics and high-context vs. low-context communication makes the subtext sharper: miscommunication isn't just a language problem; it's a clash of evolved expectations.
Ending with "which is human" is the quiet moral claim. Culture isn't a decorative layer on top of humanity; it's one of the ways humanity runs. That can sound comforting until you hear the warning inside it: if culture is human, it's also fallible, tribal, and capable of drifting toward cruelty as easily as cooperation. Hall isn't romanticizing culture; he's making it inescapable.
The phrasing matters. "Evolves" smuggles in Darwinian patience: slow change, adaptation under pressure, inherited patterns that outlast any single generation. It pushes against the fantasy of clean breaks - revolutions that reset everything, corporate "culture change" initiatives that promise a new ethos by Q3. In Hall's world, the deepest cultural forces are often invisible precisely because they're normal: notions of time, space, personal distance, status, what counts as rude, what counts as honest. His broader work on proxemics and high-context vs. low-context communication makes the subtext sharper: miscommunication isn't just a language problem; it's a clash of evolved expectations.
Ending with "which is human" is the quiet moral claim. Culture isn't a decorative layer on top of humanity; it's one of the ways humanity runs. That can sound comforting until you hear the warning inside it: if culture is human, it's also fallible, tribal, and capable of drifting toward cruelty as easily as cooperation. Hall isn't romanticizing culture; he's making it inescapable.
Quote Details
| Topic | Wisdom |
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