"Curiosity will conquer fear even more than bravery will"
About this Quote
Curiosity is framed here as a more reliable antidote to fear than the standard heroic script of “bravery.” That’s the clever pivot: Stephens demotes courage from a noble trait to a temporary performance, then promotes curiosity as a quieter force that works from the inside. Bravery still keeps fear in the room; it simply stands there anyway. Curiosity changes the room. It turns the unknown from a threat into a problem to solve, a story to enter, a door that might be worth opening.
The intent feels almost therapeutic before the term existed. A poet writing in the shadow of modernity’s shocks (war, rapid social change, a world newly measured by science and bureaucracy) is proposing a mental technology: move toward what scares you, not to prove yourself, but to understand. That swap matters. Curiosity doesn’t require the ego’s armor. It doesn’t demand an audience, medals, or moral purity. It only demands attention. In that sense, it “conquers” because it reroutes the body’s fear response into inquiry: What is it? How does it work? What happens if I get closer?
Subtextually, Stephens is also skeptical of the romance of bravery. Bravery can be brittle; it can curdle into repression or bravado. Curiosity is adaptive. It scales from the intimate (a difficult conversation) to the existential (a terrifying historical moment). For a poet, that’s also a defense of the imaginative life: art-making as disciplined nosiness, an insistence that the unknown is not just danger but material.
The intent feels almost therapeutic before the term existed. A poet writing in the shadow of modernity’s shocks (war, rapid social change, a world newly measured by science and bureaucracy) is proposing a mental technology: move toward what scares you, not to prove yourself, but to understand. That swap matters. Curiosity doesn’t require the ego’s armor. It doesn’t demand an audience, medals, or moral purity. It only demands attention. In that sense, it “conquers” because it reroutes the body’s fear response into inquiry: What is it? How does it work? What happens if I get closer?
Subtextually, Stephens is also skeptical of the romance of bravery. Bravery can be brittle; it can curdle into repression or bravado. Curiosity is adaptive. It scales from the intimate (a difficult conversation) to the existential (a terrifying historical moment). For a poet, that’s also a defense of the imaginative life: art-making as disciplined nosiness, an insistence that the unknown is not just danger but material.
Quote Details
| Topic | Fear |
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