"Cut out all these exclamation points. An exclamation point is like laughing at your own joke"
About this Quote
Fitzgerald’s jab at exclamation points lands because it’s less a grammar tip than a status check. In his world, style is inseparable from self-possession: the sentence should carry its own voltage without a typographical cheerleader. Calling an exclamation point “like laughing at your own joke” frames the mark as a kind of social insecurity - the writer signaling, too loudly, that something is funny or urgent because they don’t trust the reader to feel it. The insult isn’t about punctuation; it’s about credibility.
The subtext is craft-as-composure. Fitzgerald wrote in an era when mass-market magazines, advertising copy, and popular fiction increasingly competed for attention with volume and flare. The exclamation point reads as salesmanship: a bright storefront sign that makes the prose feel eager, a little desperate, and therefore less serious. For a writer obsessed with surfaces - the glamour of parties, the fragile performance of class, the ruin beneath the shine - that eagerness is a tell. It’s the prose equivalent of trying too hard to be charming.
He’s also defending a modernist ethic: meaning should emerge from rhythm, implication, and restraint. If you have to shout, the line isn’t doing its job. The best Fitzgerald sentences seduce by control, not force; they let irony and longing sit in the same glass without spilling. In that sense, the quote doubles as an editorial note and a moral posture: trust the reader, earn the laugh, and don’t clap for yourself in print.
The subtext is craft-as-composure. Fitzgerald wrote in an era when mass-market magazines, advertising copy, and popular fiction increasingly competed for attention with volume and flare. The exclamation point reads as salesmanship: a bright storefront sign that makes the prose feel eager, a little desperate, and therefore less serious. For a writer obsessed with surfaces - the glamour of parties, the fragile performance of class, the ruin beneath the shine - that eagerness is a tell. It’s the prose equivalent of trying too hard to be charming.
He’s also defending a modernist ethic: meaning should emerge from rhythm, implication, and restraint. If you have to shout, the line isn’t doing its job. The best Fitzgerald sentences seduce by control, not force; they let irony and longing sit in the same glass without spilling. In that sense, the quote doubles as an editorial note and a moral posture: trust the reader, earn the laugh, and don’t clap for yourself in print.
Quote Details
| Topic | Witty One-Liners |
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