"Dad, wherever you are, you are gone but you will never be forgotten"
About this Quote
Grief is trying to speak in the present tense about someone who’s already been pushed into the past. Conrad Hall’s line balances that contradiction with a plainness that feels earned: “wherever you are” admits uncertainty without reaching for theology, while “you are gone” lands with the blunt finality death forces on language. The sentence doesn’t decorate loss; it counts it.
The real work happens in the pivot from absence to persistence. “Gone” is physical and irreversible; “never be forgotten” is relational and fiercely chosen. That shift is a coping mechanism and a vow, a way of reclaiming agency when the central fact of death is that you get none. Addressing “Dad” keeps the grief intimate and slightly unfinished, like a message left on a voicemail that won’t be checked. It implies an ongoing bond: the father is no longer reachable, but still being spoken to.
Context matters here because Hall was an artist whose craft depended on memory, light, and the careful framing of what we’re allowed to see. For an artist, forgetting isn’t just emotional failure; it’s a kind of annihilation. The line reads like a private epitaph that also doubles as an artistic ethic: people survive in the stories we keep telling, in the images we refuse to let fade. It’s not consolation. It’s continuity, insisted upon in one steady breath.
The real work happens in the pivot from absence to persistence. “Gone” is physical and irreversible; “never be forgotten” is relational and fiercely chosen. That shift is a coping mechanism and a vow, a way of reclaiming agency when the central fact of death is that you get none. Addressing “Dad” keeps the grief intimate and slightly unfinished, like a message left on a voicemail that won’t be checked. It implies an ongoing bond: the father is no longer reachable, but still being spoken to.
Context matters here because Hall was an artist whose craft depended on memory, light, and the careful framing of what we’re allowed to see. For an artist, forgetting isn’t just emotional failure; it’s a kind of annihilation. The line reads like a private epitaph that also doubles as an artistic ethic: people survive in the stories we keep telling, in the images we refuse to let fade. It’s not consolation. It’s continuity, insisted upon in one steady breath.
Quote Details
| Topic | Father |
|---|---|
| Source | Help us find the source |
More Quotes by Conrad
Add to List










