"Dancing on 'Dancing With The Stars' really broadened my fan base. I jumped off the stage backwards one week, and so many women come up to me now and say, 'You're so brave. I can't believe you put yourself out there like that'. If that inspires some girl out there, then great, because boys aren't the only ones who get to have fun. We get to have fun too"
About this Quote
Reality TV turns clumsiness into currency, and Monique Coleman is smart enough to spend it. Her story about jumping off the stage backwards on Dancing With The Stars isn’t just a cute mishap; it’s a deliberately framed moment of public risk. The point isn’t that she fell (or nearly did). The point is that millions watched her choose exposure, and then watched her keep going. In a culture that still punishes women for looking foolish, “brave” becomes an audience’s way of rewarding a woman for refusing to be perfectly composed.
Coleman also names the machinery at work: the show “broadened my fan base.” She’s candid about career optics without sounding cynical, which is part of why the quote lands. It acknowledges celebrity as a relationship, not a pedestal. Women coming up to her aren’t praising technical skill; they’re praising permission. The subtext is that a female performer’s “fun” is often policed into being either sexy, flawless, or quietly grateful. Coleman offers a fourth option: messy, visible play.
The line “boys aren’t the only ones who get to have fun” is doing more than gender fairness. It’s pushing back on the idea that confidence and physical abandon are masculine privileges, while women are expected to perform competence without joy. Dancing becomes a proxy for taking up space, risking embarrassment, and still being celebrated. It’s not deep theory; it’s a pop-cultural micro-rebellion packaged in sequins, broadcast to families, and made legible through one backward jump.
Coleman also names the machinery at work: the show “broadened my fan base.” She’s candid about career optics without sounding cynical, which is part of why the quote lands. It acknowledges celebrity as a relationship, not a pedestal. Women coming up to her aren’t praising technical skill; they’re praising permission. The subtext is that a female performer’s “fun” is often policed into being either sexy, flawless, or quietly grateful. Coleman offers a fourth option: messy, visible play.
The line “boys aren’t the only ones who get to have fun” is doing more than gender fairness. It’s pushing back on the idea that confidence and physical abandon are masculine privileges, while women are expected to perform competence without joy. Dancing becomes a proxy for taking up space, risking embarrassment, and still being celebrated. It’s not deep theory; it’s a pop-cultural micro-rebellion packaged in sequins, broadcast to families, and made legible through one backward jump.
Quote Details
| Topic | Confidence |
|---|
More Quotes by Monique
Add to List
