"Danger breeds best on too much confidence"
About this Quote
Danger doesn’t arrive as a surprise guest; it shows up when the host is feeling smug. Corneille’s line cuts against the romantic idea that risk is born from desperation or chaos. Instead, he pins the real incubator of catastrophe on a quieter villain: surplus confidence. The phrasing matters. “Breeds” is biological, almost agricultural, implying danger isn’t a lightning strike but a thing cultivated over time, multiplying in the warm conditions of certainty. “Too much” is the dagger twist. Confidence itself isn’t condemned; the excess is. Corneille is writing for a theater obsessed with honor, reputation, and the lethal optics of pride, where characters routinely mistake self-assurance for moral rightness and decisiveness for wisdom.
As a dramatist of 17th-century France, Corneille worked in a world of court politics and strict social hierarchies, where miscalculation could mean exile, disgrace, or worse. His tragedies and tragicomedies thrive on the moment a character’s internal narrative (“I am justified,” “I can control this,” “I’m above consequence”) becomes more persuasive than reality. That’s the subtext: danger isn’t merely external threat; it’s the consequence of a mind that stops negotiating with limits.
The line also carries a political warning disguised as personal advice. Confidence, especially public confidence, is contagious. When leaders, lovers, and rivals perform certainty, they recruit others into their gamble. Corneille’s theater understands what modern life keeps relearning: arrogance is just optimism with no accountability, and it’s the most reliable way to summon the plot.
As a dramatist of 17th-century France, Corneille worked in a world of court politics and strict social hierarchies, where miscalculation could mean exile, disgrace, or worse. His tragedies and tragicomedies thrive on the moment a character’s internal narrative (“I am justified,” “I can control this,” “I’m above consequence”) becomes more persuasive than reality. That’s the subtext: danger isn’t merely external threat; it’s the consequence of a mind that stops negotiating with limits.
The line also carries a political warning disguised as personal advice. Confidence, especially public confidence, is contagious. When leaders, lovers, and rivals perform certainty, they recruit others into their gamble. Corneille’s theater understands what modern life keeps relearning: arrogance is just optimism with no accountability, and it’s the most reliable way to summon the plot.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
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