"Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art"
About this Quote
Theroux frames death less as a terminus than as a kind of creative engine: an “endless night” so psychologically intolerable that the mind flips it into fuel. The trick is in the extremity. “So awful to contemplate” isn’t gothic decoration; it’s an admission that the raw fact of extinction is unusable at human scale. We cope by transmuting dread into appetite. Love life harder, look longer, write it down.
The subtext is almost accusatory: if you’re numb to living, you’re probably practicing a softer version of denial. Theroux implies that vitality isn’t just temperament or luck but a reaction formation, a passionate counter-move against the void. That’s why he’s careful with causality. Death “may be” the ultimate cause of joy and art, not because suffering is noble, but because finitude makes experience scarce. Scarcity sharpens attention. Attention is where pleasure begins, and where art starts doing its work: selecting, shaping, preserving.
As a novelist who’s spent a career watching people in motion - traveling, aging, wanting, regretting - Theroux is writing from the long view, not the self-help shelf. The line also sneaks in a rebuttal to sentimental takes on creativity. Art doesn’t come from pure inspiration; it comes from the pressure of time running out. The “endless night” is the bully in the background, forcing meaning-making as a survival tactic, then letting us pretend we chose it freely.
The subtext is almost accusatory: if you’re numb to living, you’re probably practicing a softer version of denial. Theroux implies that vitality isn’t just temperament or luck but a reaction formation, a passionate counter-move against the void. That’s why he’s careful with causality. Death “may be” the ultimate cause of joy and art, not because suffering is noble, but because finitude makes experience scarce. Scarcity sharpens attention. Attention is where pleasure begins, and where art starts doing its work: selecting, shaping, preserving.
As a novelist who’s spent a career watching people in motion - traveling, aging, wanting, regretting - Theroux is writing from the long view, not the self-help shelf. The line also sneaks in a rebuttal to sentimental takes on creativity. Art doesn’t come from pure inspiration; it comes from the pressure of time running out. The “endless night” is the bully in the background, forcing meaning-making as a survival tactic, then letting us pretend we chose it freely.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
More Quotes by Paul
Add to List













