"Diana Krall knocks me out. I like jazz and I like her simple approach"
About this Quote
Merle Haggard’s praise for Diana Krall is doing two things at once: endorsing her talent, and quietly staking a claim for his own taste as bigger than the box people keep trying to put him in. Coming from a country icon whose name is practically shorthand for tradition, “Diana Krall knocks me out” lands as a small act of cultural border-crossing. It’s not a manifesto. It’s a casual confession, which is exactly why it carries weight.
The key phrase is “simple approach.” Haggard isn’t applauding jazz for being complicated, brainy, or elite - the stereotypes that can make jazz feel like a closed club. He’s praising the kind of clarity musicians respect: restraint, swing you can feel in your body, a voice that doesn’t oversell the emotion. In other words, he hears in Krall what he values in himself at his best: craft that disappears into the song.
There’s also a little provocation tucked in the plainness. Haggard implicitly challenges genre gatekeepers on both sides. To jazz purists, he’s saying the point isn’t difficulty; it’s communication. To country traditionalists, he’s saying sophistication doesn’t require abandoning plainspoken feeling. The compliment reads like an invitation: stop treating “jazz” and “country” as rival identities and start hearing them as neighboring dialects of the same idea - timing, tone, and truth.
The key phrase is “simple approach.” Haggard isn’t applauding jazz for being complicated, brainy, or elite - the stereotypes that can make jazz feel like a closed club. He’s praising the kind of clarity musicians respect: restraint, swing you can feel in your body, a voice that doesn’t oversell the emotion. In other words, he hears in Krall what he values in himself at his best: craft that disappears into the song.
There’s also a little provocation tucked in the plainness. Haggard implicitly challenges genre gatekeepers on both sides. To jazz purists, he’s saying the point isn’t difficulty; it’s communication. To country traditionalists, he’s saying sophistication doesn’t require abandoning plainspoken feeling. The compliment reads like an invitation: stop treating “jazz” and “country” as rival identities and start hearing them as neighboring dialects of the same idea - timing, tone, and truth.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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