"Different people get different things out of the images. It doesn't matter what it's about, all that matters is how it makes you feel"
About this Quote
A musician talking about images like theyre riffs: less a thesis than a vibe check. Adam Jones frames interpretation as an open circuit, where meaning isnt something you extract so much as something you complete. The line dodges the usual art-world arm wrestling over What it means and lands on a more intimate, more defensible claim: perception is personal, and the body knows before the brain does.
The phrasing is doing quiet work. "Different people" is a preemptive truce with gatekeepers and pedants; it legitimizes misreadings as lived readings. "It doesn't matter what it's about" sounds anti-intellectual until you hear the artists anxiety underneath: explanation can sterilize. Jones isnt saying content is irrelevant; hes saying content is not sovereign. In a culture that treats interpretation like a mastery test, he recasts it as consent: you are allowed to feel first, or only.
Context matters because Jones comes from a band ecosystem (Tool and its adjacent visual mythology) where imagery, symbolism, and ambiguity are part of the product. Fans trade theories like currency; critics demand keys. This quote is a gentle refusal to provide the decoder ring, and a defense of the bands signature strategy: mood as meaning. Its also a subtle power move. By centering feeling, the artist keeps the work expandable, unpinnable, endlessly re-playable, and therefore resilient to the flattening effect of definitive explanations.
The phrasing is doing quiet work. "Different people" is a preemptive truce with gatekeepers and pedants; it legitimizes misreadings as lived readings. "It doesn't matter what it's about" sounds anti-intellectual until you hear the artists anxiety underneath: explanation can sterilize. Jones isnt saying content is irrelevant; hes saying content is not sovereign. In a culture that treats interpretation like a mastery test, he recasts it as consent: you are allowed to feel first, or only.
Context matters because Jones comes from a band ecosystem (Tool and its adjacent visual mythology) where imagery, symbolism, and ambiguity are part of the product. Fans trade theories like currency; critics demand keys. This quote is a gentle refusal to provide the decoder ring, and a defense of the bands signature strategy: mood as meaning. Its also a subtle power move. By centering feeling, the artist keeps the work expandable, unpinnable, endlessly re-playable, and therefore resilient to the flattening effect of definitive explanations.
Quote Details
| Topic | Art |
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