"Discrimination due to age is one of the great tragedies of modern life. The desire to work and be useful is what makes life worth living, and to be told your efforts are not needed because you are the wrong age is a crime"
About this Quote
Johnny Ball’s punch lands because it comes wrapped in everyday decency, then pivots to moral indictment. He starts with the language of public lament - “one of the great tragedies” - then tightens the frame to something intimate: the need “to work and be useful.” That phrasing is doing quiet cultural work. It’s not just about wages or productivity; it’s about dignity, routine, and being seen as part of the social machine rather than scrap metal to be stored away.
Ball’s entertainer’s voice matters here. He isn’t theorizing ageism from a lectern; he’s channeling the blunt unfairness people recognize in their bones. The line “wrong age” deliberately echoes the bureaucratic absurdity of discrimination: you haven’t failed, you’ve merely aged. The subtext is a critique of a culture that pretends to celebrate longevity while structuring institutions to penalize it. “Modern life” is the tell; this isn’t fate, it’s design - hiring algorithms, “culture fit,” euphemisms like “overqualified,” and the worship of speed masquerading as innovation.
Calling it “a crime” is strategic escalation. It’s not a legal argument so much as a demand that we treat age discrimination as violence against purpose. Ball’s generation watched work become identity, then watched the door get quietly closed. The quote dares a society that flatters itself as inclusive to notice the group it routinely writes off - and to admit that the real loss isn’t just experienced workers, but the civic promise that usefulness doesn’t have an expiration date.
Ball’s entertainer’s voice matters here. He isn’t theorizing ageism from a lectern; he’s channeling the blunt unfairness people recognize in their bones. The line “wrong age” deliberately echoes the bureaucratic absurdity of discrimination: you haven’t failed, you’ve merely aged. The subtext is a critique of a culture that pretends to celebrate longevity while structuring institutions to penalize it. “Modern life” is the tell; this isn’t fate, it’s design - hiring algorithms, “culture fit,” euphemisms like “overqualified,” and the worship of speed masquerading as innovation.
Calling it “a crime” is strategic escalation. It’s not a legal argument so much as a demand that we treat age discrimination as violence against purpose. Ball’s generation watched work become identity, then watched the door get quietly closed. The quote dares a society that flatters itself as inclusive to notice the group it routinely writes off - and to admit that the real loss isn’t just experienced workers, but the civic promise that usefulness doesn’t have an expiration date.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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