"Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money"
About this Quote
Calling Disneyland a "work of love" is savvy self-mythmaking from a man who understood that sentiment is a business model. Walt Disney isn't denying commerce; he's reframing it. The line draws a bright moral line between crass profit-seeking and a supposedly purer motive: imagination, craft, care. That matters because Disneyland, more than a park, was an argument for Disney as a trusted curator of childhood. If you can persuade the public that your product is devotion made visible, you buy goodwill that outlasts any ticket price.
The subtext is defensive, and it needs to be. Mid-century America was watching mass entertainment scale up into big corporate machinery, with anxieties about cheap spectacle, manipulation, and selling to kids. Disneyland also arrived after Disney's own bruising labor fights and as television began turning family time into a marketplace. "We didn't go into... just with the idea of making money" is the rhetorical two-step: concede that money is involved, insist it's not the whole story. The word "just" does heavy lifting, laundering profit through intention.
Context seals it. Disneyland was a risky, expensive bet that could have cratered the studio. Presenting it as love isn't only branding; it's a pitch to investors, parents, and critics that the place will be clean, controlled, and aspirational - a counterexample to the grimy, carnivalesque amusement parks of the era. Disney sells an ethic: spend here, and you aren't consuming, you're participating in a dream someone cared enough to build.
The subtext is defensive, and it needs to be. Mid-century America was watching mass entertainment scale up into big corporate machinery, with anxieties about cheap spectacle, manipulation, and selling to kids. Disneyland also arrived after Disney's own bruising labor fights and as television began turning family time into a marketplace. "We didn't go into... just with the idea of making money" is the rhetorical two-step: concede that money is involved, insist it's not the whole story. The word "just" does heavy lifting, laundering profit through intention.
Context seals it. Disneyland was a risky, expensive bet that could have cratered the studio. Presenting it as love isn't only branding; it's a pitch to investors, parents, and critics that the place will be clean, controlled, and aspirational - a counterexample to the grimy, carnivalesque amusement parks of the era. Disney sells an ethic: spend here, and you aren't consuming, you're participating in a dream someone cared enough to build.
Quote Details
| Topic | Work Ethic |
|---|---|
| Source | Help us find the source |
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