"Do I think all contemporary Christian music is good? No"
About this Quote
The intent is quality control, but the subtext is autonomy. Grant is drawing a boundary between faith and the Christian music industry - between devotion and a marketplace that often sells certainty, uplift, and doctrinal safety as product features. By declining to endorse “all” of it, she’s also declining the genre’s unspoken demand for unanimity: the idea that critique equals betrayal.
Context matters here: CCM has long been policed for both theology and tone. Artists get rewarded for staying inside a narrow emotional palette - reassurance, repentance, triumph - and punished when songs sound too human, too ambiguous, too pop. Grant knows that terrain intimately; she’s been criticized for crossing into mainstream pop, for personal choices, for sounding insufficiently “set apart.” So the “No” reads as both aesthetic judgment and self-defense, a reminder that mature artistry includes discernment, not just solidarity.
It works because it’s conversational but subversive: a simple refusal that makes room for standards, taste, and complexity in a space that often confuses positivity with excellence.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Grant, Amy. (2026, January 17). Do I think all contemporary Christian music is good? No. FixQuotes. https://fixquotes.com/quotes/do-i-think-all-contemporary-christian-music-is-62482/
Chicago Style
Grant, Amy. "Do I think all contemporary Christian music is good? No." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/do-i-think-all-contemporary-christian-music-is-62482/.
MLA Style (9th ed.)
"Do I think all contemporary Christian music is good? No." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/do-i-think-all-contemporary-christian-music-is-62482/. Accessed 9 Feb. 2026.







