"Do what I want, be honest to myself and then it would do good for others, that's all, full on"
About this Quote
It sounds like self-help until you remember who’s talking: Johnny Rotten, the man who turned sneering refusal into a public service announcement. “Do what I want” lands first as pure punk id, but the phrase is doing more work than selfishness. Rotten frames desire as discipline: act on your own terms, then submit that impulse to a second test - “be honest to myself.” That honesty is the real provocation. In punk’s best moments, authenticity wasn’t a lifestyle brand; it was a weapon against polite fraud, the kind of social script that tells you to smile, comply, and quietly rot.
The subtext is almost moralistic, but delivered with a boot in the door. Rotten isn’t promising that individual freedom automatically improves society; he’s arguing that the only “good” he can offer is unvarnished truth, broadcast at volume. The altruism here is inverted: by refusing to perform niceness, he exposes the coercion hiding inside “good behavior.” That’s why the line ends with “that’s all, full on” - a blunt refusal of nuance, PR, and apology. It’s a credo against over-explaining, against turning sincerity into a committee process.
Context matters: coming out of 1970s Britain’s economic malaise and class rigidity, the Sex Pistols weren’t just making noise, they were puncturing the fantasy that deference equals virtue. Rotten’s “good for others” isn’t kindness; it’s permission. If one person stops faking it, the room’s whole lie gets harder to sustain.
The subtext is almost moralistic, but delivered with a boot in the door. Rotten isn’t promising that individual freedom automatically improves society; he’s arguing that the only “good” he can offer is unvarnished truth, broadcast at volume. The altruism here is inverted: by refusing to perform niceness, he exposes the coercion hiding inside “good behavior.” That’s why the line ends with “that’s all, full on” - a blunt refusal of nuance, PR, and apology. It’s a credo against over-explaining, against turning sincerity into a committee process.
Context matters: coming out of 1970s Britain’s economic malaise and class rigidity, the Sex Pistols weren’t just making noise, they were puncturing the fantasy that deference equals virtue. Rotten’s “good for others” isn’t kindness; it’s permission. If one person stops faking it, the room’s whole lie gets harder to sustain.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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