"Do you know what we are those of us who count as pillars of society? We are society's tools, neither more nor less"
About this Quote
A “pillar of society” sounds like a compliment until Ibsen turns it into an insult with the flick of a knife. The line performs a classic Ibsen move: he takes a sanctified civic label and reveals it as a euphemism for compliance. “Do you know what we are” isn’t curiosity; it’s an interrogation staged as self-awareness, the moment a respectable character catches a glimpse of the machinery he helps operate. The twist lands in the final reduction: “tools, neither more nor less.” Not leaders, not guardians, not moral examples - instruments.
The intent is to puncture bourgeois self-mythology. In Ibsen’s world, “pillars” are often the people most invested in preserving appearances: the ones who speak the language of duty, family, and honor while quietly enforcing rules that keep others trapped. Calling them tools reframes respectability as a job description. The subtext is bleak and razor-specific: your status isn’t proof of virtue; it’s proof you’re useful to the system. And usefulness, here, is a form of captivity dressed up as prestige.
Context matters: Ibsen wrote in a 19th-century Scandinavia modernizing fast, where middle-class moral certainty doubled as social control. His plays repeatedly expose how “good society” depends on silence, sacrifice, and someone else paying the cost. The line’s power comes from its inversion: the higher you stand, the more plainly you can see you’re being used - and how willingly you’ve participated.
The intent is to puncture bourgeois self-mythology. In Ibsen’s world, “pillars” are often the people most invested in preserving appearances: the ones who speak the language of duty, family, and honor while quietly enforcing rules that keep others trapped. Calling them tools reframes respectability as a job description. The subtext is bleak and razor-specific: your status isn’t proof of virtue; it’s proof you’re useful to the system. And usefulness, here, is a form of captivity dressed up as prestige.
Context matters: Ibsen wrote in a 19th-century Scandinavia modernizing fast, where middle-class moral certainty doubled as social control. His plays repeatedly expose how “good society” depends on silence, sacrifice, and someone else paying the cost. The line’s power comes from its inversion: the higher you stand, the more plainly you can see you’re being used - and how willingly you’ve participated.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
More Quotes by Henrik
Add to List




