"Do you really think it is weakness that yields to temptation? I tell you that there are terrible temptations which it requires strength, strength and courage to yield to"
About this Quote
Wilde flips the moral scoreboard with the cool ease of someone who knows Victorian virtue is often just good tailoring. The line turns “yielding” from a collapse into a kind of muscular act, insisting that the real drama isn’t in resisting temptation but in facing what desire actually costs. He’s not defending mindless indulgence; he’s mocking the smug idea that self-denial is automatically noble. In Wilde’s hands, “weakness” becomes a label society slaps on anyone who refuses to perform the approved version of character.
The subtext is social as much as psychological. “Terrible temptations” signals stakes beyond a second glass of champagne. It hints at the forbidden appetites and risky loyalties that polite culture polices hardest: sex, pleasure, transgression, honesty. To yield, in that world, can mean accepting exile from respectability. Resistance is often the easier path because it comes with applause. Yielding can require “strength and courage” because it demands you pay the bill: scandal, self-knowledge, consequences.
The rhetoric works because Wilde weaponizes paradox. He uses the cadence of a moral lecture (“I tell you…”) to deliver an anti-sermon, borrowing the authority of earnestness to undermine earnestness itself. It’s also a sly self-portrait: a man who understood that the bravest thing isn’t always saying no, but admitting what you want when the culture has already decided you shouldn’t.
The subtext is social as much as psychological. “Terrible temptations” signals stakes beyond a second glass of champagne. It hints at the forbidden appetites and risky loyalties that polite culture polices hardest: sex, pleasure, transgression, honesty. To yield, in that world, can mean accepting exile from respectability. Resistance is often the easier path because it comes with applause. Yielding can require “strength and courage” because it demands you pay the bill: scandal, self-knowledge, consequences.
The rhetoric works because Wilde weaponizes paradox. He uses the cadence of a moral lecture (“I tell you…”) to deliver an anti-sermon, borrowing the authority of earnestness to undermine earnestness itself. It’s also a sly self-portrait: a man who understood that the bravest thing isn’t always saying no, but admitting what you want when the culture has already decided you shouldn’t.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Oscar Wilde, The Picture of Dorian Gray (1890/1891). Line appears in dialogue (Lord Henry) in the novel; see the text edition. |
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