"Doing a series, every week you work with a new star"
About this Quote
There is a quiet, matter-of-fact glamour in Lee Majors's line, but it lands less like bragging than like a worker describing the pace of the job. "Doing a series" frames television as an assembly line: steady, relentless, built around repetition. Then comes the twist of prestige: "every week you work with a new star". The sentence turns TV's grind into its own kind of reward, a rotating door of celebrity that keeps the machine humming and the lead actor constantly reset.
The intent is practical and slightly promotional. Majors is explaining why series work can stay fresh even when you're locked into the same character and the same schedule. The subtext is about status management in an ecosystem where fame is both currency and guest spot. If you're the series regular, you're the stable brand; the "new star" is the weekly jolt of novelty, a marketing hook, a ratings play. Majors positions himself at the center of that exchange: not the guest passing through, but the constant who gets to "work with" them, absorb some of their heat, and keep the show's world feeling bigger than its sets.
Context matters here: in the 1970s and 80s, star-driven guest casting was a core network tactic, especially in action and adventure shows associated with Majors. His line reads like a behind-the-scenes truth about how television manufactures variety: not by reinventing the premise, but by cycling famous faces through a familiar format, letting audiences feel they are watching both a story and an ongoing social event.
The intent is practical and slightly promotional. Majors is explaining why series work can stay fresh even when you're locked into the same character and the same schedule. The subtext is about status management in an ecosystem where fame is both currency and guest spot. If you're the series regular, you're the stable brand; the "new star" is the weekly jolt of novelty, a marketing hook, a ratings play. Majors positions himself at the center of that exchange: not the guest passing through, but the constant who gets to "work with" them, absorb some of their heat, and keep the show's world feeling bigger than its sets.
Context matters here: in the 1970s and 80s, star-driven guest casting was a core network tactic, especially in action and adventure shows associated with Majors. His line reads like a behind-the-scenes truth about how television manufactures variety: not by reinventing the premise, but by cycling famous faces through a familiar format, letting audiences feel they are watching both a story and an ongoing social event.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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