"Don't be afraid to take liberties with this music. Try and put some of yourself into it"
About this Quote
Permission is the hidden gift in Brian Setzer's advice: stop treating the song like a museum piece and start treating it like a vehicle. Coming from a musician who built a career reviving and rewiring rockabilly for new decades, "take liberties" isn't code for sloppiness; it's a dare to stop hiding behind correctness. Setzer's world is full of players who can replicate a lick perfectly and still sound like they're doing homework. His line draws a bright boundary between imitation and interpretation.
The intent is practical. He's talking to performers who have the notes but not the nerve. "This music" implies a tradition with rules, gatekeepers, and a canon - the kind of scene where authenticity gets policed and deviations get side-eyed. Setzer flips that pressure. The real test isn't whether you can play it "right", but whether you can make it speak in your accent: your timing, your attack, your swagger, your restraint. The phrase "put some of yourself into it" is almost parental, but it's also a little combative: if you don't, you're replaceable.
Subtextually, it's a defense of continuity through change. Genres survive when people smuggle their own lives into the form, not when they freeze it into reenactment. Setzer's own success - from the Stray Cats to his big band era - models the argument: reverence is fine, but only if it turns into risk. The liberty isn't betrayal. It's how the music stays alive.
The intent is practical. He's talking to performers who have the notes but not the nerve. "This music" implies a tradition with rules, gatekeepers, and a canon - the kind of scene where authenticity gets policed and deviations get side-eyed. Setzer flips that pressure. The real test isn't whether you can play it "right", but whether you can make it speak in your accent: your timing, your attack, your swagger, your restraint. The phrase "put some of yourself into it" is almost parental, but it's also a little combative: if you don't, you're replaceable.
Subtextually, it's a defense of continuity through change. Genres survive when people smuggle their own lives into the form, not when they freeze it into reenactment. Setzer's own success - from the Stray Cats to his big band era - models the argument: reverence is fine, but only if it turns into risk. The liberty isn't betrayal. It's how the music stays alive.
Quote Details
| Topic | Music |
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