"Don't take anything from me because I'll track it down"
About this Quote
Threats like this only land when they’re delivered with a wink of steel, and Ursula Andress practically built a career on that alloy. "Don't take anything from me because I'll track it down" reads less like a literal promise of detective work and more like a boundary drawn in lipstick: you can look, you can desire, you can even try your luck, but you don’t get to take. Coming from an actress whose image was shaped by the early Bond era - a cinematic world where women were often treated as trophies, props, or prizes - the line flips the script. The “I'll” is the point: agency, persistence, consequences.
The specific intent is deterrence. It’s not pleading or moralizing; it’s a warning calibrated to make the would-be taker imagine effort, exposure, and payback. "Track it down" carries a pleasingly physical verb, suggesting pursuit, refusal to let theft slide into “that’s just how it is.” Subtextually, it’s also about ownership in a broader sense: not just objects, but dignity, credit, narrative control. For a famous woman, “taking” has always been a loaded verb - tabloids take privacy, studios take youth, fans take entitlement.
Context matters because Andress was marketed as a fantasy. This line punctures fantasy with logistics. It suggests the person behind the poster, the one with memory and will and a long reach. It works because it’s simple, slightly amused, and unmistakably transactional: take from me, and you buy a chase.
The specific intent is deterrence. It’s not pleading or moralizing; it’s a warning calibrated to make the would-be taker imagine effort, exposure, and payback. "Track it down" carries a pleasingly physical verb, suggesting pursuit, refusal to let theft slide into “that’s just how it is.” Subtextually, it’s also about ownership in a broader sense: not just objects, but dignity, credit, narrative control. For a famous woman, “taking” has always been a loaded verb - tabloids take privacy, studios take youth, fans take entitlement.
Context matters because Andress was marketed as a fantasy. This line punctures fantasy with logistics. It suggests the person behind the poster, the one with memory and will and a long reach. It works because it’s simple, slightly amused, and unmistakably transactional: take from me, and you buy a chase.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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