"Draw your pleasure, paint your pleasure, and express your pleasure strongly"
About this Quote
Bonnard isn’t offering a feel-good motto so much as a working method: pleasure as a discipline, not a garnish. “Draw,” “paint,” “express” form a small ladder of escalation, moving from observation to immersion to declaration. It’s an artist talking to artists about permission and precision. The last word, “strongly,” matters most. Pleasure here isn’t delicate; it’s something you build into structure, color, and rhythm until it can hold its own against the world’s noise.
The context sharpens the charge. Bonnard comes out of late-19th-century Paris, shaped by the Nabis and the post-Impressionist push to make painting less about faithful description and more about sensation, memory, interior life. In a culture enthralled by modernity’s speed and anxieties, he doubles down on the domestic, the intimate: rooms, baths, table settings, sunlight that feels almost engineered. Pleasure becomes a counter-program to the era’s prestige modes of seriousness.
The subtext is also defensive. Artists are trained to treat joy as suspicious - too pretty, too “decorative,” too easy to dismiss. Bonnard dares you to treat pleasure as an argument. Not escapism, but a stance: if you can render delight with enough intensity, it stops being private and becomes communicable, even political in its refusal to flatter misery. “Express your pleasure strongly” is a reminder that tenderness can be muscular, and that the senses, carefully attended to, are a kind of truth.
The context sharpens the charge. Bonnard comes out of late-19th-century Paris, shaped by the Nabis and the post-Impressionist push to make painting less about faithful description and more about sensation, memory, interior life. In a culture enthralled by modernity’s speed and anxieties, he doubles down on the domestic, the intimate: rooms, baths, table settings, sunlight that feels almost engineered. Pleasure becomes a counter-program to the era’s prestige modes of seriousness.
The subtext is also defensive. Artists are trained to treat joy as suspicious - too pretty, too “decorative,” too easy to dismiss. Bonnard dares you to treat pleasure as an argument. Not escapism, but a stance: if you can render delight with enough intensity, it stops being private and becomes communicable, even political in its refusal to flatter misery. “Express your pleasure strongly” is a reminder that tenderness can be muscular, and that the senses, carefully attended to, are a kind of truth.
Quote Details
| Topic | Art |
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