"Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times"
About this Quote
Architecture is one of the few jobs where the client wants a miracle, itemized. Koolhaas compresses that daily impossibility into a staccato mantra: beautiful, but cheap and fast, but it lasts forever. The repetition of "but" does more than list constraints; it recreates the pressure-cooker logic of contemporary building culture, where every value is demanded at once and each one cancels the next. Beauty is treated like a deliverable, speed like a virtue, durability like a moral obligation, cost like an ideology. The line reads like a brief from a developer, a mayor, and Instagram all arguing in the same room.
Koolhaas's sly move is to confess contradiction while refusing to apologize for it. "Definitely perhaps" is a deliberate glitch, a shrug at the expectation that great architects should offer clean, coherent philosophies. He flips the critique outward: if he seems inconsistent, it's because the era is inconsistent. That is the subtext of an architect who came up alongside late-20th-century globalization and its whiplash priorities: cities competing for iconic skylines, public budgets tightening, construction accelerated, sustainability retrofitted into systems designed for churn.
Context matters: Koolhaas has long been suspicious of purity myths in architecture, whether modernism's moral certainty or "starchitecture" spectacle. Here he sounds less like a celebrity designer and more like a project manager of civilization's mixed signals. The intent isn't to romanticize compromise; it's to name it as the defining condition of building now. Contradiction becomes not a personal flaw but a professional competence.
Koolhaas's sly move is to confess contradiction while refusing to apologize for it. "Definitely perhaps" is a deliberate glitch, a shrug at the expectation that great architects should offer clean, coherent philosophies. He flips the critique outward: if he seems inconsistent, it's because the era is inconsistent. That is the subtext of an architect who came up alongside late-20th-century globalization and its whiplash priorities: cities competing for iconic skylines, public budgets tightening, construction accelerated, sustainability retrofitted into systems designed for churn.
Context matters: Koolhaas has long been suspicious of purity myths in architecture, whether modernism's moral certainty or "starchitecture" spectacle. Here he sounds less like a celebrity designer and more like a project manager of civilization's mixed signals. The intent isn't to romanticize compromise; it's to name it as the defining condition of building now. Contradiction becomes not a personal flaw but a professional competence.
Quote Details
| Topic | Art |
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