"Economy consists in a due and proper application of the means afforded according to the ability of the employer and the situation chosen; care being taken that the expenditure is prudently conducted"
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Vitruvius is doing something sneakily political here: smuggling an ethics of spending into what looks like a neutral definition of “economy.” For a Roman architect writing for patrons with real power, “due and proper application” isn’t just thrift; it’s a warning label. Build beyond your means or ignore the site’s realities and you don’t merely waste money - you advertise incompetence. The line reads like professional advice, but it doubles as a social technology for keeping ambition legible and defensible.
The intent is practical: match resources to circumstance. Yet the subtext is about authority and blame. By tying economy to “the ability of the employer” and “the situation chosen,” Vitruvius spreads responsibility across a network: the patron’s capacity, the architect’s judgment, the constraints of place. If the project fails, it wasn’t fate; someone violated prudence. “Care being taken” sounds gentle, but it’s a disciplinary phrase - the kind of language that turns aesthetics into an audit.
Context matters: late Republic/early Augustan Rome was a culture of monumental self-fashioning. Buildings were propaganda in stone, competing for public attention and elite prestige. Vitruvius offers an off-ramp from ruinous showmanship: spend with intelligence, not just grandeur. His “economy” is less about minimalism than calibrated spectacle - a way to make spending look inevitable, rational, and morally sound. In that sense, he anticipates modern debates about public works and luxury development: the fight isn’t over whether to build, but how to justify the bill.
The intent is practical: match resources to circumstance. Yet the subtext is about authority and blame. By tying economy to “the ability of the employer” and “the situation chosen,” Vitruvius spreads responsibility across a network: the patron’s capacity, the architect’s judgment, the constraints of place. If the project fails, it wasn’t fate; someone violated prudence. “Care being taken” sounds gentle, but it’s a disciplinary phrase - the kind of language that turns aesthetics into an audit.
Context matters: late Republic/early Augustan Rome was a culture of monumental self-fashioning. Buildings were propaganda in stone, competing for public attention and elite prestige. Vitruvius offers an off-ramp from ruinous showmanship: spend with intelligence, not just grandeur. His “economy” is less about minimalism than calibrated spectacle - a way to make spending look inevitable, rational, and morally sound. In that sense, he anticipates modern debates about public works and luxury development: the fight isn’t over whether to build, but how to justify the bill.
Quote Details
| Topic | Saving Money |
|---|---|
| Source | Help us find the source |
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