"Even at our birth, death does but stand aside a little. And every day he looks towards us and muses somewhat to himself whether that day or the next he will draw nigh"
About this Quote
Death here is not a jump-scare; its menace is administrative. Bolt gives it a job description: always on shift, always nearby, politely waiting its turn. "Stand aside a little" turns the miracle of birth into a narrow logistical reprieve, not a triumph over mortality. The sentence works because it refuses the comforting storyline that life begins in clean separation from ending. Instead, it frames existence as a corridor with a figure posted at the door, letting us pass while already deciding when to follow.
The personification is chilly and intimate. Death "looks towards us" with the steady attention of someone who already knows our address, and "muses" like a bureaucrat or a judge reviewing a file. That verb choice matters: Bolt drains the drama and replaces it with inevitability. Mortality isn't an abstract concept but a presence with idle time and discretion. The calmness is the cruelty.
Bolt, a playwright of moral pressure-cookers (A Man for All Seasons), is interested in how people behave when the stakes are absolute. This line reads like stage direction for the human condition: from the first scene, the antagonist is already in the wings. Subtextually, it's also an argument against procrastination and self-deception. If death is always near, then the real question isn't whether it comes, but what we choose to do while it is "standing aside". The effect is bracing: not nihilism, but a demand for seriousness without melodrama.
The personification is chilly and intimate. Death "looks towards us" with the steady attention of someone who already knows our address, and "muses" like a bureaucrat or a judge reviewing a file. That verb choice matters: Bolt drains the drama and replaces it with inevitability. Mortality isn't an abstract concept but a presence with idle time and discretion. The calmness is the cruelty.
Bolt, a playwright of moral pressure-cookers (A Man for All Seasons), is interested in how people behave when the stakes are absolute. This line reads like stage direction for the human condition: from the first scene, the antagonist is already in the wings. Subtextually, it's also an argument against procrastination and self-deception. If death is always near, then the real question isn't whether it comes, but what we choose to do while it is "standing aside". The effect is bracing: not nihilism, but a demand for seriousness without melodrama.
Quote Details
| Topic | Mortality |
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