"Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same"
About this Quote
Ammons turns repetition into an argument for change. The route is a sly stand-in for form: a sonnet’s fixed architecture, a daily walk’s familiar turns. On paper, both look like sameness. His point is that sameness is a fantasy we project onto structures that feel stable, because it’s comforting to believe we can step into yesterday’s shape and retrieve yesterday’s self.
The sentence keeps widening its aperture. He starts with the external (route), then snaps the focus inward: “the poet’s health, sight, his anticipations, moods, fears, thoughts.” That list is doing more than inventorying variables. It’s insisting that perception is an event, not a lens. “Sight” is physical, “anticipations” is temporal, “fears” is existential; Ammons braids body, time, and psyche into one shifting instrument. The subtext is almost defiant: don’t blame the form for your boredom. If the sonnet feels stale, it’s because you’re demanding it behave like a machine instead of a meeting between a constraint and a living nervous system.
Context matters here: Ammons is a postwar American poet often aligned with open forms and the long, meditative line, yet he repeatedly returned to pattern, recurrence, and nature-as-process. This quote reads like a brief for his whole practice. Form doesn’t imprison experience; it stages it. The route stays put so you can notice what won’t: the day’s weather, the mind’s weather, the way a life keeps revising its own “same.”
The sentence keeps widening its aperture. He starts with the external (route), then snaps the focus inward: “the poet’s health, sight, his anticipations, moods, fears, thoughts.” That list is doing more than inventorying variables. It’s insisting that perception is an event, not a lens. “Sight” is physical, “anticipations” is temporal, “fears” is existential; Ammons braids body, time, and psyche into one shifting instrument. The subtext is almost defiant: don’t blame the form for your boredom. If the sonnet feels stale, it’s because you’re demanding it behave like a machine instead of a meeting between a constraint and a living nervous system.
Context matters here: Ammons is a postwar American poet often aligned with open forms and the long, meditative line, yet he repeatedly returned to pattern, recurrence, and nature-as-process. This quote reads like a brief for his whole practice. Form doesn’t imprison experience; it stages it. The route stays put so you can notice what won’t: the day’s weather, the mind’s weather, the way a life keeps revising its own “same.”
Quote Details
| Topic | Poetry |
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