"Even the contemporary horror authors who have seriously influenced me are a disparate bunch"
About this Quote
There is a quiet flex in calling your influences "a disparate bunch" while insisting they "seriously influenced" you. George Stephen is doing two things at once: admitting debt and refusing a tidy lineage. The phrase keeps him from sounding like a disciple. "Disparate" signals range, but also taste-making authority: he has read widely enough to sort writers into a private constellation rather than a single school. It is modest on the surface, curatorial underneath.
The sharper subtext is defensive. Horror, especially in a late-19th/early-20th-century milieu, could be coded as low entertainment, morally suspect, or unserious. A businessman claiming deep influence from horror authors risks sounding unserious himself. "Contemporary" helps: he isn't confessing some gothic adolescent indulgence, he's tracking living voices, keeping pace with a modern literary marketplace. "Seriously influenced" adds another layer, implying the influence is intellectual and practical, not just a guilty pleasure.
Context matters because Stephen's profession makes the line read like a negotiation between commercial rationality and imaginative appetite. A businessman is expected to value utility, not nightmares. That tension is the point. He frames influence as plural and messy because creativity rarely arrives as a clean inheritance; it comes from grabbing whatever works. In a culture increasingly defined by mass print and genre sorting, "disparate" becomes a small rebellion against the idea that your identity - as a reader, a writer, even a respectable professional - should be easily categorized.
The sharper subtext is defensive. Horror, especially in a late-19th/early-20th-century milieu, could be coded as low entertainment, morally suspect, or unserious. A businessman claiming deep influence from horror authors risks sounding unserious himself. "Contemporary" helps: he isn't confessing some gothic adolescent indulgence, he's tracking living voices, keeping pace with a modern literary marketplace. "Seriously influenced" adds another layer, implying the influence is intellectual and practical, not just a guilty pleasure.
Context matters because Stephen's profession makes the line read like a negotiation between commercial rationality and imaginative appetite. A businessman is expected to value utility, not nightmares. That tension is the point. He frames influence as plural and messy because creativity rarely arrives as a clean inheritance; it comes from grabbing whatever works. In a culture increasingly defined by mass print and genre sorting, "disparate" becomes a small rebellion against the idea that your identity - as a reader, a writer, even a respectable professional - should be easily categorized.
Quote Details
| Topic | Writing |
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