"Even when they don't know who Nixon was, these shows will continue to play"
About this Quote
There is a sly confidence in Lear’s line: the punchline isn’t Nixon, it’s permanence. He’s talking about television as a kind of cultural fossil record, capable of outliving the scandals and politicians it once riffed on. Nixon becomes a timestamp viewers won’t be able to read, and Lear treats that as both inevitable and faintly absurd. The joke lands because it flips the usual hierarchy. We’re taught politics is history and entertainment is disposable; Lear implies the opposite. The president fades into trivia. The sitcom rerun keeps clocking in.
The intent is pragmatic and a little defiant. Lear produced shows that put current events, race, war, and hypocrisy into America’s living rooms with a laugh track. Saying the episodes will keep playing is a wager that the craft - character, conflict, timing - will survive even when the reference points don’t. It’s also a quiet defense against the charge that topical comedy expires. Lear knows some viewers will miss the Nixon-specific sting, but they’ll still recognize the machinery of power, the smugness, the evasions. The target isn’t one man; it’s a recurring American type.
Context matters: Lear’s prime years coincide with Watergate-era distrust and the rise of TV as the nation’s shared language. The subtext is almost parental: you may not know the name, but you’ll inherit the mood. Reruns become civics by osmosis, teaching how a culture processed its crises, long after it’s forgotten the paperwork.
The intent is pragmatic and a little defiant. Lear produced shows that put current events, race, war, and hypocrisy into America’s living rooms with a laugh track. Saying the episodes will keep playing is a wager that the craft - character, conflict, timing - will survive even when the reference points don’t. It’s also a quiet defense against the charge that topical comedy expires. Lear knows some viewers will miss the Nixon-specific sting, but they’ll still recognize the machinery of power, the smugness, the evasions. The target isn’t one man; it’s a recurring American type.
Context matters: Lear’s prime years coincide with Watergate-era distrust and the rise of TV as the nation’s shared language. The subtext is almost parental: you may not know the name, but you’ll inherit the mood. Reruns become civics by osmosis, teaching how a culture processed its crises, long after it’s forgotten the paperwork.
Quote Details
| Topic | Legacy & Remembrance |
|---|---|
| Source | Help us find the source |
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