"Eventually, if you had a printer that is IPP compliant, that printer will have a Web address and anyone around the world who can get on the Internet can print to that URL"
About this Quote
There is something almost giddy about how this sentence treats a mundane office appliance like the next electric guitar: plug it into the network, give it a URL, and suddenly the world can “play” it. Coming from a musician, the fascination isn’t with paper. It’s with distribution. Palmer is talking about printers, but he’s really pointing at the cultural shift the internet was about to make inevitable: creativity, communication, and even bureaucracy moving from local, physical spaces into frictionless global channels.
The intent is evangelistic and predictive. IPP compliance (an early effort to standardize internet printing) becomes a stand-in for a bigger promise of interoperability: devices and people speaking the same language across distance. The subtext is the late-90s/early-2000s techno-optimism that assumed connectivity equals access, and access equals empowerment. “Anyone around the world” lands like a utopian chorus line, smoothing over the practical realities: security, permission, abuse, cost, and the fact that “printing” is often a euphemism for authority (forms, documents, gatekeeping) as much as expression.
What makes the line work is its casual compression of power. A “Web address” sounds neutral, almost friendly, but it implies a radical re-mapping of control: the printer stops belonging to a room and starts belonging to a network. Palmer’s musician sensibility shows in the implicit metaphor: once tools become endpoints, the audience becomes infinite, and the backstage door is the internet itself.
The intent is evangelistic and predictive. IPP compliance (an early effort to standardize internet printing) becomes a stand-in for a bigger promise of interoperability: devices and people speaking the same language across distance. The subtext is the late-90s/early-2000s techno-optimism that assumed connectivity equals access, and access equals empowerment. “Anyone around the world” lands like a utopian chorus line, smoothing over the practical realities: security, permission, abuse, cost, and the fact that “printing” is often a euphemism for authority (forms, documents, gatekeeping) as much as expression.
What makes the line work is its casual compression of power. A “Web address” sounds neutral, almost friendly, but it implies a radical re-mapping of control: the printer stops belonging to a room and starts belonging to a network. Palmer’s musician sensibility shows in the implicit metaphor: once tools become endpoints, the audience becomes infinite, and the backstage door is the internet itself.
Quote Details
| Topic | Internet |
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