"Every man regards his own life as the New Year's Eve of time"
About this Quote
Jean Paul lands a sly cosmic joke: each of us behaves as if history is counting down to our personal midnight. New Year's Eve is a borrowed drama, a manufactured cliffhanger where the calendar pretends time has a clean edge. By yoking that ritual to "Every man" and "his own life", he exposes a perennial human error in miniature: we treat our private anxieties as if they were the universe's schedule.
The line works because it flatters and indicts at once. "Regards" is doing quiet damage - not "knows", not "believes", but looks at life through a self-centered lens. It's a diagnosis of perception, not a claim about reality. The metaphor turns ego into a kind of apocalyptic sentimentality: we narrate our days like the last hours of an era, giving ordinary choices the emotional lighting of fireworks and final toasts. It captures why minor setbacks can feel like omens, why aging can feel like the closing credits, why we keep swearing that next year we'll begin again.
Context matters: Jean Paul is writing in the late Enlightenment/early Romantic overlap, when grand systems (reason, progress, Providence) were being questioned and interior life was becoming a major literary terrain. His wit is Romantic in its attention to feeling, Enlightenment in its skepticism about our self-mythology. The subtext isn't just that we're mortal; it's that we stage-manage that mortality into self-importance, turning the relentless continuity of time into a countdown that centers us.
The line works because it flatters and indicts at once. "Regards" is doing quiet damage - not "knows", not "believes", but looks at life through a self-centered lens. It's a diagnosis of perception, not a claim about reality. The metaphor turns ego into a kind of apocalyptic sentimentality: we narrate our days like the last hours of an era, giving ordinary choices the emotional lighting of fireworks and final toasts. It captures why minor setbacks can feel like omens, why aging can feel like the closing credits, why we keep swearing that next year we'll begin again.
Context matters: Jean Paul is writing in the late Enlightenment/early Romantic overlap, when grand systems (reason, progress, Providence) were being questioned and interior life was becoming a major literary terrain. His wit is Romantic in its attention to feeling, Enlightenment in its skepticism about our self-mythology. The subtext isn't just that we're mortal; it's that we stage-manage that mortality into self-importance, turning the relentless continuity of time into a countdown that centers us.
Quote Details
| Topic | Time |
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