"Every single one of us can do things that no one else can do - can love things that no one else can love. We are like violins. We can be used for doorstops, or we can make music. You know what to do"
About this Quote
Sher’s genius here is the way she smuggles a hard-edged work ethic into language that sounds like permission. She starts with a radical claim of personal specificity: not just “you’re talented,” but you can love in a way no one else can. That word “love” matters. It reframes vocation as desire, not duty, and quietly argues that your odd fixations are evidence, not distractions. In a culture that treats passion like a luxury item, she makes it the raw material.
Then she pivots to the violin: an object designed for resonance, but perfectly capable of being wasted. The metaphor is blunt on purpose. A violin-as-doorstop is not evil; it’s merely misused, reduced to dead weight. That’s the subtext: most people don’t fail because they’re incapable, but because their lives get organized around convenience, fear, and other people’s expectations. The comparison also flatters without coddling. A violin is valuable, yes, but only if it’s played. Potential doesn’t count until it’s activated.
The kicker - “You know what to do” - is classic Sher: warm, then firm. She doesn’t give a checklist because she’s aiming at a deeper, more uncomfortable target: accountability. Coming from a business-oriented motivational writer, the line lands as a quiet rebuke to endless self-analysis and “someday” planning. It’s a call to stop auditioning your life in your head and start making sound, even if the first notes are rough.
Then she pivots to the violin: an object designed for resonance, but perfectly capable of being wasted. The metaphor is blunt on purpose. A violin-as-doorstop is not evil; it’s merely misused, reduced to dead weight. That’s the subtext: most people don’t fail because they’re incapable, but because their lives get organized around convenience, fear, and other people’s expectations. The comparison also flatters without coddling. A violin is valuable, yes, but only if it’s played. Potential doesn’t count until it’s activated.
The kicker - “You know what to do” - is classic Sher: warm, then firm. She doesn’t give a checklist because she’s aiming at a deeper, more uncomfortable target: accountability. Coming from a business-oriented motivational writer, the line lands as a quiet rebuke to endless self-analysis and “someday” planning. It’s a call to stop auditioning your life in your head and start making sound, even if the first notes are rough.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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