"Every time somebody tries to go in and reinvent what we do, it always ends up being more about technology and sets, and flash and dash, forgetting the main thing, which is interesting people saying interesting, important things"
About this Quote
A quiet warning disguised as industry common sense, Diane Sawyer’s line lands because it punctures a familiar media delusion: that you can renovate trust with a lighting rig. She’s talking about reinvention the way working journalists often experience it - not as creative evolution, but as management’s periodic urge to “modernize” by buying visible upgrades. Technology and “sets” are tangible, budgetable, and pitch-deck friendly. “Interesting people saying interesting, important things” is harder: it requires patience, editorial judgment, and the kind of institutional backing that can’t be measured in click-through rates.
The subtext is a defense of craft against spectacle. Sawyer doesn’t reject technology; she indicts the way it becomes a substitute for reporting. “Flash and dash” isn’t just aesthetic snobbery. It’s shorthand for a culture that confuses motion with meaning, treating presentation as the product and conversation as the filler. The repetition of “interesting” matters too: she’s insisting on texture and specificity, not generic “content.” People aren’t interchangeable guests; they’re sources, characters, witnesses. The “important things” aren’t trending topics; they’re the uncomfortable truths that survive the news cycle.
Contextually, this sits in the long churn of broadcast news trying to compete with cable, then the internet, then social platforms - each wave promising salvation through new formats. Sawyer’s credibility lets her say the unfashionable part out loud: audiences don’t leave because the graphics are old. They leave when the journalism stops respecting their intelligence.
The subtext is a defense of craft against spectacle. Sawyer doesn’t reject technology; she indicts the way it becomes a substitute for reporting. “Flash and dash” isn’t just aesthetic snobbery. It’s shorthand for a culture that confuses motion with meaning, treating presentation as the product and conversation as the filler. The repetition of “interesting” matters too: she’s insisting on texture and specificity, not generic “content.” People aren’t interchangeable guests; they’re sources, characters, witnesses. The “important things” aren’t trending topics; they’re the uncomfortable truths that survive the news cycle.
Contextually, this sits in the long churn of broadcast news trying to compete with cable, then the internet, then social platforms - each wave promising salvation through new formats. Sawyer’s credibility lets her say the unfashionable part out loud: audiences don’t leave because the graphics are old. They leave when the journalism stops respecting their intelligence.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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