"Everybody gets too drunk sometimes; and even if everybody didn't, I have gotten too drunk sometimes. I haven't hurt anybody. In Ireland we drink a lot. It's part of our culture. I like drinking. I don't think it's a bad thing"
About this Quote
Andrea Corr’s defense of getting “too drunk sometimes” works because it’s not really a defense of intoxication; it’s a bid to reframe judgment as cultural misunderstanding. The opening move, “Everybody gets too drunk sometimes,” is a classic normalization tactic, a shrug that tries to dissolve scandal into common behavior. When she immediately pivots to “and even if everybody didn’t, I have,” she anticipates the obvious rebuttal and disarms it with candor. It’s confession as control: she’d rather own the narrative than let tabloids do it for her.
The real payload is the moral triage: “I haven’t hurt anybody.” That line quietly sets the boundaries of acceptable excess. She’s asking for a harm-based standard instead of a purity-based one, which is often how celebrities survive public scrutiny: not “I’m blameless,” but “I’m not dangerous.” It’s also a subtle critique of a culture that polices women’s behavior more harshly than men’s, especially in the messy territory of nightlife and image.
Then comes the identity shield: “In Ireland we drink a lot. It’s part of our culture.” That’s both explanation and insulation, invoking communal practice to soften personal responsibility. It risks leaning into stereotype, but it also points at something real: alcohol as social glue, performance fuel, and pressure valve, especially in music scenes built around late nights and public conviviality.
“I like drinking” is blunt, almost rebellious, and “I don’t think it’s a bad thing” is the final attempt to seize moral authority. The subtext: stop treating a human slip as a career-defining sin.
The real payload is the moral triage: “I haven’t hurt anybody.” That line quietly sets the boundaries of acceptable excess. She’s asking for a harm-based standard instead of a purity-based one, which is often how celebrities survive public scrutiny: not “I’m blameless,” but “I’m not dangerous.” It’s also a subtle critique of a culture that polices women’s behavior more harshly than men’s, especially in the messy territory of nightlife and image.
Then comes the identity shield: “In Ireland we drink a lot. It’s part of our culture.” That’s both explanation and insulation, invoking communal practice to soften personal responsibility. It risks leaning into stereotype, but it also points at something real: alcohol as social glue, performance fuel, and pressure valve, especially in music scenes built around late nights and public conviviality.
“I like drinking” is blunt, almost rebellious, and “I don’t think it’s a bad thing” is the final attempt to seize moral authority. The subtext: stop treating a human slip as a career-defining sin.
Quote Details
| Topic | Wine |
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