"Everybody's got a job to do, and I do mine as best I can"
About this Quote
There is a quiet steel in Matlin's line, the kind that lands because it refuses to audition for your approval. "Everybody's got a job to do" sounds like egalitarian common sense, but the subtext is sharper: stop treating my presence as inspirational theater and start treating it as work. It's an actress refusing the soft-focus narrative that often clings to disabled performers, where competence gets repackaged as courage and access gets mistaken for accommodation-as-charity.
Matlin came up in an industry that regularly confuses "representation" with a single, symbolic hire. Her phrasing sidesteps that trap. She doesn't claim to be an exception; she puts herself inside the same blunt economy as everyone else: you show up, you deliver, you get judged on the output. The sentence also quietly rebukes the voyeurism that follows Deaf actors in particular, where audiences and press fixate on how someone performs rather than what they perform. "I do mine as best I can" is modest on its face, but it's also a boundary: my labor is not a miracle, it's my craft.
The quote works because it treats professionalism as a form of agency. In a culture that loves to make marginalized people into moral lessons, Matlin chooses the least sentimental frame possible. It's a demand for normalcy that doesn't erase difference; it just refuses to let difference be the whole story.
Matlin came up in an industry that regularly confuses "representation" with a single, symbolic hire. Her phrasing sidesteps that trap. She doesn't claim to be an exception; she puts herself inside the same blunt economy as everyone else: you show up, you deliver, you get judged on the output. The sentence also quietly rebukes the voyeurism that follows Deaf actors in particular, where audiences and press fixate on how someone performs rather than what they perform. "I do mine as best I can" is modest on its face, but it's also a boundary: my labor is not a miracle, it's my craft.
The quote works because it treats professionalism as a form of agency. In a culture that loves to make marginalized people into moral lessons, Matlin chooses the least sentimental frame possible. It's a demand for normalcy that doesn't erase difference; it just refuses to let difference be the whole story.
Quote Details
| Topic | Work Ethic |
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