"Everyone reaches their point in time where either they die or they get sick of doing drugs. It started getting debilitating. I enjoy my music a lot better than my drugs"
About this Quote
Jourgensen frames sobriety less like redemption and more like a hard-nosed career choice, which is exactly why it lands. The line has the blunt fatalism of someone who’s watched the “romantic” drug myth chew through a scene in real time: there isn’t a poetic third option, just death or exhaustion. By putting it that way, he strips the rock-star narrative of its glamour and replaces it with a stopwatch. Your number comes up, one way or another.
The phrasing is doing quiet double work. “Everyone reaches their point in time” sounds almost bureaucratic, like addiction is a calendar event, not a personality quirk. Then he admits the real turning point wasn’t morality; it was logistics. “Debilitating” is the anti-cool word. It implies lost stamina, ruined sessions, missed cues, a body that stops cooperating. That’s a musician talking shop, not a celebrity selling a comeback arc.
“I enjoy my music a lot better than my drugs” is the twist that makes the quote more than a warning. It’s an assertion of taste. He’s not claiming purity; he’s claiming preference, elevating craft over compulsion. Coming from a figure associated with industrial music’s abrasive, chemically tinted aesthetics, the subtext is pointed: intensity doesn’t require self-destruction. The most transgressive move, after years of expected chaos, is choosing the work and staying alive long enough to keep making it.
The phrasing is doing quiet double work. “Everyone reaches their point in time” sounds almost bureaucratic, like addiction is a calendar event, not a personality quirk. Then he admits the real turning point wasn’t morality; it was logistics. “Debilitating” is the anti-cool word. It implies lost stamina, ruined sessions, missed cues, a body that stops cooperating. That’s a musician talking shop, not a celebrity selling a comeback arc.
“I enjoy my music a lot better than my drugs” is the twist that makes the quote more than a warning. It’s an assertion of taste. He’s not claiming purity; he’s claiming preference, elevating craft over compulsion. Coming from a figure associated with industrial music’s abrasive, chemically tinted aesthetics, the subtext is pointed: intensity doesn’t require self-destruction. The most transgressive move, after years of expected chaos, is choosing the work and staying alive long enough to keep making it.
Quote Details
| Topic | Letting Go |
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