"Everyone wants to work in America. Maybe not blockbusters or Terminator, but to have the choice"
About this Quote
There’s a sly honesty in Eva Green’s line: America isn’t being praised as a temple of art so much as a marketplace of options. She undercuts the obvious glamour first - “Maybe not blockbusters or Terminator” - a quick jab at the default fantasy that Hollywood equals giant franchises and mass adoration. By name-checking the most industrial kind of filmmaking, she signals that what draws people isn’t necessarily the work itself, but the leverage that comes with being in the center of the machine.
The key word is “choice,” and it carries subtext that’s both practical and political. For many actors, especially Europeans who bounce between national industries, “choice” means access to scale: more projects, bigger budgets, broader distribution, and the career insurance that comes from visibility. Even if you never touch a superhero suit, a U.S. credit can expand your negotiating power everywhere else. Green is pointing to America as a talent magnet not because it’s purer, but because it’s structurally abundant.
Context matters: Green built a reputation on auteur-leaning, sensual, slightly dangerous roles, often outside the clean hero-villain math of studio franchises. So the line reads as a defensive clarification: wanting America doesn’t mean wanting to be swallowed by it. It’s an immigrant’s pragmatism wrapped in an artist’s reservation - a recognition that the dream is less “Hollywood magic” than the freedom to pick your poison.
The key word is “choice,” and it carries subtext that’s both practical and political. For many actors, especially Europeans who bounce between national industries, “choice” means access to scale: more projects, bigger budgets, broader distribution, and the career insurance that comes from visibility. Even if you never touch a superhero suit, a U.S. credit can expand your negotiating power everywhere else. Green is pointing to America as a talent magnet not because it’s purer, but because it’s structurally abundant.
Context matters: Green built a reputation on auteur-leaning, sensual, slightly dangerous roles, often outside the clean hero-villain math of studio franchises. So the line reads as a defensive clarification: wanting America doesn’t mean wanting to be swallowed by it. It’s an immigrant’s pragmatism wrapped in an artist’s reservation - a recognition that the dream is less “Hollywood magic” than the freedom to pick your poison.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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