"Everything considered, work is less boring than amusing oneself"
About this Quote
Baudelaire flips a bourgeois truism on its head: work, the supposed enemy of pleasure, comes off as the antidote to a deeper kind of tedium. The provocation isn’t that labor is joyful; it’s that “amusing oneself” is often a thin, frantic performance that curdles into boredom the moment it becomes an obligation. In a modern register, he’s dunking on leisure as consumption: the endless hunt for diversion that leaves you strangely empty, like scrolling for novelty until novelty itself feels stale.
The line works because it carries Baudelaire’s signature contempt for easy moralism while still smuggling in a moral claim. “Everything considered” signals a ledger-book realism, as if he’s granting all the obvious objections (drudgery, exploitation, fatigue) and still landing on a bleak conclusion: purposeful constraint beats aimless freedom. Subtext: the self is not a reliable entertainment system. Left alone with “fun,” we don’t expand; we repeat. Work, even when oppressive, imposes structure, friction, stakes. It creates a narrative where leisure often offers only episodes.
Context matters: Baudelaire is the poet of modernity’s jittery psyche - the flaneur wandering a city engineered to stimulate and distract. Paris was becoming a machine for spectacle; boredom (ennui) was no longer just laziness but a cultural condition. The aphorism reads like a survival tactic for that condition: if the age is going to grind you down, at least choose a grind that produces something, rather than one that merely anesthetizes you.
The line works because it carries Baudelaire’s signature contempt for easy moralism while still smuggling in a moral claim. “Everything considered” signals a ledger-book realism, as if he’s granting all the obvious objections (drudgery, exploitation, fatigue) and still landing on a bleak conclusion: purposeful constraint beats aimless freedom. Subtext: the self is not a reliable entertainment system. Left alone with “fun,” we don’t expand; we repeat. Work, even when oppressive, imposes structure, friction, stakes. It creates a narrative where leisure often offers only episodes.
Context matters: Baudelaire is the poet of modernity’s jittery psyche - the flaneur wandering a city engineered to stimulate and distract. Paris was becoming a machine for spectacle; boredom (ennui) was no longer just laziness but a cultural condition. The aphorism reads like a survival tactic for that condition: if the age is going to grind you down, at least choose a grind that produces something, rather than one that merely anesthetizes you.
Quote Details
| Topic | Work |
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