"Everything depends on whether we have for opponents those French tricksters or those daring rascals, the English. I prefer the English. Frequently their daring can only be described as stupidity. In their eyes it may be pluck and daring"
About this Quote
Richthofen is doing something more unsettling than national stereotyping: he is turning enemy psychology into a tactical resource. The line reads like a pilot’s pre-flight checklist, except the variables are pride and temperament. The French are “tricksters” - a word that concedes craft, feint, and an irritating refusal to play the heroic script. The English are “daring rascals,” which sounds almost affectionate until the dagger twist: their courage can look like “stupidity.” He’s not praising them; he’s making them legible.
As an aviator in World War I’s improvisational air war, Richthofen fought in a realm where doctrine lagged behind technology and victory depended on split-second reads. In that setting, the most useful thing you can believe about an opponent is that they’ll reliably behave like themselves. His preference for the English isn’t moral; it’s operational. “Pluck,” that self-flattering British myth of gallantry under fire, becomes a predictable compulsion - the kind that tempts a pilot into bad angles, unnecessary duels, and last-stand theatrics. Calling it “stupidity” is psychological warfare aimed at dignity: it reduces a celebrated national virtue to an exploitable flaw.
The subtext is chillingly modern. Richthofen’s voice is pragmatic, even amused, the way professionals sometimes talk when death is routine. He’s stripping combat of romance while acknowledging that romance still kills people - especially the ones who need to believe they’re brave. In that small pivot from “in their eyes” to his own, you can feel the entire aerial battlefield: ego, narrative, and the cold arithmetic of advantage.
As an aviator in World War I’s improvisational air war, Richthofen fought in a realm where doctrine lagged behind technology and victory depended on split-second reads. In that setting, the most useful thing you can believe about an opponent is that they’ll reliably behave like themselves. His preference for the English isn’t moral; it’s operational. “Pluck,” that self-flattering British myth of gallantry under fire, becomes a predictable compulsion - the kind that tempts a pilot into bad angles, unnecessary duels, and last-stand theatrics. Calling it “stupidity” is psychological warfare aimed at dignity: it reduces a celebrated national virtue to an exploitable flaw.
The subtext is chillingly modern. Richthofen’s voice is pragmatic, even amused, the way professionals sometimes talk when death is routine. He’s stripping combat of romance while acknowledging that romance still kills people - especially the ones who need to believe they’re brave. In that small pivot from “in their eyes” to his own, you can feel the entire aerial battlefield: ego, narrative, and the cold arithmetic of advantage.
Quote Details
| Topic | War |
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