"Everything has been said before, but since nobody listens we have to keep going back and beginning all over again"
About this Quote
Gide’s line lands like a sigh sharpened into a scalpel: the problem isn’t that we lack ideas, it’s that we lack attention. “Everything has been said before” teases the old modernist anxiety that originality is a myth, that culture is an echo chamber of recycled themes. Then he pivots to the real indictment: “since nobody listens.” The failure is social, not artistic. Wisdom doesn’t disappear because it’s false; it disappears because it’s ignored, inconvenient, or drowned out by noise.
The sly brilliance is in the obligation he smuggles in: “we have to keep going back.” Repetition becomes not laziness but duty. Gide frames communication as a Sisyphean labor where the stone isn’t truth, it’s receptivity. The subtext is quietly political and moral: a society that won’t listen forces artists, thinkers, and reformers into perpetual reboot mode, re-teaching the same lessons in fresh packaging. It’s a critique of cultural amnesia, but also a portrait of how institutions protect themselves: they can “address” problems endlessly without ever absorbing the message.
Context matters. Gide lived through the Dreyfus Affair, two world wars, and the churn of ideologies that promised renewal while recycling old cruelties. As a novelist, he understood that stories aren’t just told; they’re heard through the filters of pride, fatigue, and self-interest. The line flatters neither the author nor the audience. It suggests the real avant-garde act isn’t saying something new - it’s getting anyone to actually take it in.
The sly brilliance is in the obligation he smuggles in: “we have to keep going back.” Repetition becomes not laziness but duty. Gide frames communication as a Sisyphean labor where the stone isn’t truth, it’s receptivity. The subtext is quietly political and moral: a society that won’t listen forces artists, thinkers, and reformers into perpetual reboot mode, re-teaching the same lessons in fresh packaging. It’s a critique of cultural amnesia, but also a portrait of how institutions protect themselves: they can “address” problems endlessly without ever absorbing the message.
Context matters. Gide lived through the Dreyfus Affair, two world wars, and the churn of ideologies that promised renewal while recycling old cruelties. As a novelist, he understood that stories aren’t just told; they’re heard through the filters of pride, fatigue, and self-interest. The line flatters neither the author nor the audience. It suggests the real avant-garde act isn’t saying something new - it’s getting anyone to actually take it in.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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