"Everything has two sides - the outside that is ridiculous, and the inside that is solemn"
About this Quote
Schreiner’s line turns the world like a coin and refuses to let you pretend one face is the “real” one. The outside is “ridiculous” not because life is a joke, but because social surfaces are: manners, fashions, public certainties, the rituals people use to look coherent. Schreiner had little patience for those veneers; as a South African novelist and polemicist with feminist and anti-imperial commitments, she watched how respectable language could dress up domination, and how polite society could make cruelty look like common sense. Calling the outside ridiculous is a way of puncturing authority without needing a manifesto.
Then she flips it: the inside is “solemn.” Not sentimental, not noble-sounding, but heavy. The private core is where consequences live: hunger, grief, desire, conscience, the slow moral arithmetic you can’t outsource to etiquette. The sentence is built to make you feel that pressure. “Outside” and “inside” are clean, almost architectural terms; “ridiculous” and “solemn” are moral temperatures. The dash works like a scalpel, slicing open appearances to reveal weight.
The subtext is a warning against single-angle vision. If you only see the ridiculous, you become a cynic who mistakes insight for superiority. If you only see the solemn, you become a moralist who can’t recognize performance, self-deception, or propaganda. Schreiner’s brilliance is insisting both are always present, and that maturity is learning to read the costume and the wound at the same time.
Then she flips it: the inside is “solemn.” Not sentimental, not noble-sounding, but heavy. The private core is where consequences live: hunger, grief, desire, conscience, the slow moral arithmetic you can’t outsource to etiquette. The sentence is built to make you feel that pressure. “Outside” and “inside” are clean, almost architectural terms; “ridiculous” and “solemn” are moral temperatures. The dash works like a scalpel, slicing open appearances to reveal weight.
The subtext is a warning against single-angle vision. If you only see the ridiculous, you become a cynic who mistakes insight for superiority. If you only see the solemn, you become a moralist who can’t recognize performance, self-deception, or propaganda. Schreiner’s brilliance is insisting both are always present, and that maturity is learning to read the costume and the wound at the same time.
Quote Details
| Topic | Wisdom |
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