"Everything that gets born dies"
About this Quote
Spare, blunt, and almost childlike in its wording, "Everything that gets born dies" refuses the comforting loopholes we build around mortality. Morrie Schwartz, speaking as an educator who became famous for turning his own dying into a last curriculum, isn’t offering philosophy as much as pedagogy: a sentence you can’t misread, a fact you can’t negotiate with.
The intent is corrective. Schwartz frames death not as a specialized tragedy reserved for the unlucky, but as the default ending stitched into the beginning. The rhythm matters: "gets born" makes life sound like something that happens to you, not a heroic project you control. That slight passivity is the point. Modern life sells mastery - optimize your body, hack your habits, outsmart time. Schwartz counters with an unglamorous law of nature that makes all the optimizing feel a little smaller, and therefore a little saner.
The subtext is less bleak than it looks. By stripping death of melodrama, he also strips it of its power to silently govern the way we love, hoard, and postpone. If the ending is guaranteed, then the real question becomes: what are you doing with the middle, and why are you pretending you have a sequel?
Contextually, the line carries the intimacy of a teacher addressing a student, not a preacher addressing a crowd. It’s meant to land in the body, not the abstract mind - a memento mori translated into plain American English, the kind that can survive denial because it’s too simple to argue with.
The intent is corrective. Schwartz frames death not as a specialized tragedy reserved for the unlucky, but as the default ending stitched into the beginning. The rhythm matters: "gets born" makes life sound like something that happens to you, not a heroic project you control. That slight passivity is the point. Modern life sells mastery - optimize your body, hack your habits, outsmart time. Schwartz counters with an unglamorous law of nature that makes all the optimizing feel a little smaller, and therefore a little saner.
The subtext is less bleak than it looks. By stripping death of melodrama, he also strips it of its power to silently govern the way we love, hoard, and postpone. If the ending is guaranteed, then the real question becomes: what are you doing with the middle, and why are you pretending you have a sequel?
Contextually, the line carries the intimacy of a teacher addressing a student, not a preacher addressing a crowd. It’s meant to land in the body, not the abstract mind - a memento mori translated into plain American English, the kind that can survive denial because it’s too simple to argue with.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Unverified source: Tuesdays with Morrie (Morrie Schwartz, 1997)
Evidence: Chapter: "The Thirteenth Tuesday: We Talk About the Perfect Day"; page varies by edition (commonly p. 50 in some PDFs; also seen as p. 95 in some HTML scans). The line appears in the narrative dialogue attributed to Morrie Schwartz (as quoted/recorded by Mitch Albom) in the section with the hibis... Other candidates (1) Death (Morrie Schwartz) compilation60.0% everything that is alive in one flock of guilty because all that is alive dies |
| Featured | This quote was our Quote of the Day on February 5, 2025 |
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