"Everything you want is out there waiting for you to ask. Everything you want also wants you. But you have to take action to get it"
About this Quote
Renard’s line flatters the reader with a cosmic flirtation: desire isn’t just possible, it’s reciprocal. “Everything you want also wants you” turns ambition into romance, casting the world as a willing partner rather than an indifferent machine. That’s the bait. The switch comes fast: “But you have to take action.” The sentence pivots from mystical assurance to hard-nosed accountability, and that tension is the quote’s engine. It sells hope, then invoices you for it.
The subtext is less self-help than self-exposure. If what you want is “waiting,” then failure can’t be blamed on fate; it’s a verdict on hesitation, fear, and comfort. Renard, a dramatist, understood that wanting is theatrically cheap. Anyone can brood in the wings. The plot only moves when a character steps onstage and does something irreversible. The quote stages that same moment: the audience (you) is invited to believe in providence, then forced into the role of protagonist.
Context matters. Renard wrote in fin-de-siecle France, when bourgeois respectability, artistic aspiration, and modern restlessness collided. His work often skewers vanity and self-deception with a cool, diaristic edge. Read that way, the line isn’t a sugary promise; it’s a sly rebuke to people who confuse longing with living. Yes, the world may be full of openings, but it doesn’t reward taste or talent in the abstract. It rewards motion. The romance is optional. The action isn’t.
The subtext is less self-help than self-exposure. If what you want is “waiting,” then failure can’t be blamed on fate; it’s a verdict on hesitation, fear, and comfort. Renard, a dramatist, understood that wanting is theatrically cheap. Anyone can brood in the wings. The plot only moves when a character steps onstage and does something irreversible. The quote stages that same moment: the audience (you) is invited to believe in providence, then forced into the role of protagonist.
Context matters. Renard wrote in fin-de-siecle France, when bourgeois respectability, artistic aspiration, and modern restlessness collided. His work often skewers vanity and self-deception with a cool, diaristic edge. Read that way, the line isn’t a sugary promise; it’s a sly rebuke to people who confuse longing with living. Yes, the world may be full of openings, but it doesn’t reward taste or talent in the abstract. It rewards motion. The romance is optional. The action isn’t.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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