"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee"
About this Quote
Her repetition of “risk” is doing two jobs. On the surface it’s practical: budgets balloon, audiences fragment, algorithms change the rules mid-game. At a deeper level it’s reputational. For an actress, every project is a public referendum on taste, relevance, and range. A film can be a hit and still be a personal miscalculation; it can be good and still vanish. The emphasis on “every” rejects the comforting fantasy that proven stars or proven formulas can immunize you. Even safety is a wager now.
The final sentence is blunt and almost childlike: “There’s no guarantee.” No spin, no inspirational varnish. That starkness is the point. Diaz is pushing back against the motivational-industrial script that talent plus effort equals outcome. In the current entertainment economy - sequel fatigue, streaming churn, social-media backlash cycles - the old assurances (star power, studio backing, awards pedigree) function more like superstitions than safeguards.
Subtext: if risk is unavoidable, then the real choice is what kind of risk you take. That’s a subtle permission slip - to pivot, to fail publicly, to stop pretending control is the price of admission.
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APA Style (7th ed.)
Diaz, Cameron. (2026, January 17). Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee. FixQuotes. https://fixquotes.com/quotes/everythings-a-risk-by-the-way-these-days-every-44453/
Chicago Style
Diaz, Cameron. "Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/everythings-a-risk-by-the-way-these-days-every-44453/.
MLA Style (9th ed.)
"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/everythings-a-risk-by-the-way-these-days-every-44453/. Accessed 12 Feb. 2026.





