"Everywhere I go, I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best seller that could have been prevented by a good teacher"
About this Quote
O'Connor turns a polite, hand-wringing question about censorship into a deadpan grenade. People want her to defend the writer-as-endangered-species, allegedly smothered by academia. Instead she flips the premise: the real problem isn't that universities silence talent, it's that they fail to silence mediocrity. The joke lands because it exploits a sacred modern assumption - that more writing, more voices, more publishing is automatically good - and treats it like a symptom of cultural bloat.
Her punchline hinges on "best seller", a term that usually signals success but here functions as an indictment. O'Connor isn't attacking popularity out of snobbery; she's mocking the marketplace's ability to reward the readable over the necessary. "Prevented" is the key verb: it frames bad books not as harmless entertainment but as avoidable public clutter, like pollution. And "a good teacher" is both praise and provocation. She imagines education not as a nurturing greenhouse for self-expression, but as a gatekeeping institution with taste, standards, and the nerve to say no.
The subtext is also self-protective. O'Connor, steeped in craft and Catholic severity, had little patience for the therapeutic idea of writing as personal release. Her line defends discipline - the workshop's red pen as moral instrument - while skewering the professionalization of literature: the pipeline that turns ambition into product. It's comedy with a hard edge: mercy for writers is optional; seriousness about writing isn't.
Her punchline hinges on "best seller", a term that usually signals success but here functions as an indictment. O'Connor isn't attacking popularity out of snobbery; she's mocking the marketplace's ability to reward the readable over the necessary. "Prevented" is the key verb: it frames bad books not as harmless entertainment but as avoidable public clutter, like pollution. And "a good teacher" is both praise and provocation. She imagines education not as a nurturing greenhouse for self-expression, but as a gatekeeping institution with taste, standards, and the nerve to say no.
The subtext is also self-protective. O'Connor, steeped in craft and Catholic severity, had little patience for the therapeutic idea of writing as personal release. Her line defends discipline - the workshop's red pen as moral instrument - while skewering the professionalization of literature: the pipeline that turns ambition into product. It's comedy with a hard edge: mercy for writers is optional; seriousness about writing isn't.
Quote Details
| Topic | Writing |
|---|
More Quotes by Flannery
Add to List


