"Experience has taught me, when I am shaving of a morning, to keep watch over my thoughts, because, if a line of poetry strays into my memory, my skin bristles so that the razor ceases to act"
About this Quote
Housman turns the most banal ritual imaginable - shaving - into a little laboratory for what poetry does to the body. The sentence is comic in its premise (a man undone by a stray line before breakfast), but the humor is defensive: he’s smuggling a confession of vulnerability through the mask of practicality. He’s not saying poetry is pleasant. He’s saying it’s physiologically disruptive, an ambush that makes even steel go dull.
The specific intent is to dramatize how involuntary real feeling is, especially for a writer with Housman’s reputation for stoic restraint. A line of verse doesn’t merely “move” him; it triggers piloerection, a bristle-response associated with fear, awe, grief - the primitive nervous system taking over. By grounding aesthetic experience in a shaving cut waiting to happen, he punctures any romantic idea of the poet as someone who chooses sentiment on command. The subtext: he has trained himself to manage exposure. “Keep watch over my thoughts” reads like a man policing contraband.
Context matters because Housman’s work, especially A Shropshire Lad, is saturated with suppressed longing, mortality, and the ache of what can’t be spoken outright in his era (including his own complicated emotional life). This anecdote suggests that the danger isn’t the razor; it’s memory. Poetry reactivates old feeling with such force it becomes a hazard in ordinary life, which is exactly Housman’s bleak magic: lyric beauty as a kind of sting.
The specific intent is to dramatize how involuntary real feeling is, especially for a writer with Housman’s reputation for stoic restraint. A line of verse doesn’t merely “move” him; it triggers piloerection, a bristle-response associated with fear, awe, grief - the primitive nervous system taking over. By grounding aesthetic experience in a shaving cut waiting to happen, he punctures any romantic idea of the poet as someone who chooses sentiment on command. The subtext: he has trained himself to manage exposure. “Keep watch over my thoughts” reads like a man policing contraband.
Context matters because Housman’s work, especially A Shropshire Lad, is saturated with suppressed longing, mortality, and the ache of what can’t be spoken outright in his era (including his own complicated emotional life). This anecdote suggests that the danger isn’t the razor; it’s memory. Poetry reactivates old feeling with such force it becomes a hazard in ordinary life, which is exactly Housman’s bleak magic: lyric beauty as a kind of sting.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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