"Faces that have charmed us the most escape us the soonest"
About this Quote
Scott’s choice of “faces” is doing heavy cultural work. A face isn’t an abstract “beauty”; it’s a social object, read and misread in an instant, tied to class, character, and fate in the way the early nineteenth-century novel trained readers to interpret people. Yet in the act of “charming,” the face stops being purely observed and becomes projected onto. That projection is the subtext: we’re not losing the person so much as the image we constructed under the pressure of longing.
“Escape” makes the loss feel active, almost conspiratorial - as if the beloved face slips away on purpose. That’s Scott’s quiet cynicism about romantic certainty: the mind can’t archive intensity; it can only rehearse it until it blurs. In a literary moment obsessed with sentiment and sensation, Scott offers a cooler insight: infatuation doesn’t preserve detail, it burns it off. What remains isn’t a portrait but an afterimage, which is why the most beloved faces become the hardest to recall precisely.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Scott, Walter. (2026, January 16). Faces that have charmed us the most escape us the soonest. FixQuotes. https://fixquotes.com/quotes/faces-that-have-charmed-us-the-most-escape-us-the-85039/
Chicago Style
Scott, Walter. "Faces that have charmed us the most escape us the soonest." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/faces-that-have-charmed-us-the-most-escape-us-the-85039/.
MLA Style (9th ed.)
"Faces that have charmed us the most escape us the soonest." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/faces-that-have-charmed-us-the-most-escape-us-the-85039/. Accessed 18 Feb. 2026.









