"Fain would I climb, yet fear I to fall"
About this Quote
Ambition here isn’t a trumpet blast; it’s a hand hovering over the first rung. "Fain would I climb" carries the old-world heat of desire - not casual preference, but a will that’s already leaning upward. Then Raleigh snaps the line shut with "yet fear I to fall", a plainspoken check on swagger. The power is in the hinge word "yet": one syllable that turns aspiration into a confession. It’s the emotional math of risk, stated without ornament.
Coming from Walter Raleigh, the line reads like a self-portrait of the Elizabethan project. He’s an explorer in an era that sold expansion as destiny while quietly pricing it in shipwrecks, court intrigue, and the axe. Raleigh’s career is the cautionary tale built into the grammar: he rose on royal favor, staked claims across the Atlantic, and fell hard into imprisonment and eventual execution. The fear isn’t abstract. It’s political, bodily, terminal.
Subtextually, the quote also performs a kind of strategic modesty. In a court culture that punished overreach, admitting fear could be a way of signaling prudence while still announcing hunger for advancement. It’s ambition wearing a seatbelt.
What makes the line stick is its refusal to resolve. No moral, no pep talk, no heroic certainty - just the suspended moment before action, when the body wants the climb and the mind rehearses the drop. That tension is Raleigh’s world distilled: enterprise as desire, and desire as a gamble.
Coming from Walter Raleigh, the line reads like a self-portrait of the Elizabethan project. He’s an explorer in an era that sold expansion as destiny while quietly pricing it in shipwrecks, court intrigue, and the axe. Raleigh’s career is the cautionary tale built into the grammar: he rose on royal favor, staked claims across the Atlantic, and fell hard into imprisonment and eventual execution. The fear isn’t abstract. It’s political, bodily, terminal.
Subtextually, the quote also performs a kind of strategic modesty. In a court culture that punished overreach, admitting fear could be a way of signaling prudence while still announcing hunger for advancement. It’s ambition wearing a seatbelt.
What makes the line stick is its refusal to resolve. No moral, no pep talk, no heroic certainty - just the suspended moment before action, when the body wants the climb and the mind rehearses the drop. That tension is Raleigh’s world distilled: enterprise as desire, and desire as a gamble.
Quote Details
| Topic | Fear |
|---|---|
| Source | Help us find the source |
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