"Fairy-tales are nice"
About this Quote
A throwaway line that isn’t a throwaway at all: “Fairy-tales are nice” is Syd Barrett compressing a whole aesthetic into four words, then refusing to defend it. The simplicity is the point. In a culture that treats seriousness as a credential, Barrett picks the nursery shelf and dares you to sneer. “Nice” isn’t grand or visionary; it’s small, soft, almost embarrassingly plain. That understatement works like a trapdoor: it suggests a person who’s seen the adult world up close and finds its supposed sophistication overrated.
Coming from a musician tied to psychedelic rock’s maximalist myths, the phrase reads as a quiet counter-myth. Fairy tales aren’t “true,” but they’re structured: they promise shape, symbols, and an ending you can hold. Barrett’s songwriting often lived in that territory - whimsy with teeth, childlike imagery that turns uncanny if you stare at it too long. The intent feels less like escapism and more like curation: selecting a reality where metaphor is allowed to run the show.
The subtext is also defensive. Saying fairy tales are “nice” sidesteps the whole clinical and biographical machinery that later surrounded Barrett. It’s a way to claim innocence without pleading for it, to keep interpretation at arm’s length. In the late-60s/early-70s hangover of utopian rhetoric and hard-edged authenticity tests, the line registers as a miniature rebellion: let the world be enchanted, even if only briefly, even if only “nice.”
Coming from a musician tied to psychedelic rock’s maximalist myths, the phrase reads as a quiet counter-myth. Fairy tales aren’t “true,” but they’re structured: they promise shape, symbols, and an ending you can hold. Barrett’s songwriting often lived in that territory - whimsy with teeth, childlike imagery that turns uncanny if you stare at it too long. The intent feels less like escapism and more like curation: selecting a reality where metaphor is allowed to run the show.
The subtext is also defensive. Saying fairy tales are “nice” sidesteps the whole clinical and biographical machinery that later surrounded Barrett. It’s a way to claim innocence without pleading for it, to keep interpretation at arm’s length. In the late-60s/early-70s hangover of utopian rhetoric and hard-edged authenticity tests, the line registers as a miniature rebellion: let the world be enchanted, even if only briefly, even if only “nice.”
Quote Details
| Topic | Writing |
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